Purpose: Expanding on Harris and Sinclair (2014, p. 5) claim that "the writing of a play is an act of inquiry", this paper aims to consider the joyful entanglements, messiness and friction-led use of creative methods within the context of a PhD in education studies. Design/methodology/approach: Amplifying the voices of both doctoral…

The traditional academic research paper isn't always the best form in which to judge student writing. When students are given a choice in form and genre, their true talents and creativity can be unleashed. Miller offers up classroom examples and ideas on how to let students express their creativity in writing literary papers, research papers, and…

In this article, I outline and theorize about a series of three lessons on playwriting I conducted in a secondary English Literature classroom in Singapore using drama improvisation strategies that I name drama-based playwriting, or DBP. I advance the argument that this genre of creative writing is best taught through the medium of drama so as to…

This paper explores an example of applied theatre and praxis learning in an Australian classroom with drama students aged 16-17 years which took the form of "real fiction" or social theatre monologue writing. It presents monologue responses from nine participants, altered by the researcher to protect identities and to tease out issues…

This article introduces a pedagogical intervention that includes a set of creative activities designed to improve the oral and written production of students in the English classroom, especially those who have shown a lack of interest or attention. It was observed that participants initially seemed careless about studying the language. Eventually…

Research suggests that experts and beginners use qualitatively different writing processes when given the same text to write. Throughout their writing, experts tend to create a network of executive, structural, and content problems that they continually refine and coordinate as they bring the text to fruition. Novices, in contrast, tend to focus…

This article examines relationships among process, product, and playmaking in a southeastern playwriting and performance program for teen girls, Playmaking for Girls (PFG). The authors have chosen to focus on tensions between process and product. Such tensions are present in the challenges teachers experience when privileging student-centered…

This research concerns itself with making the imagination work; with developing, in university playwrights, a freedom to fantasy; and with encouraging them to give artistic form to their fantasies. (Author/RK)

A priori criteria are pressing playwrights to be conservative, to unify their total experience so that everything is regimented and predictable, consciously or subconsciously. The danger, joy, and mystery of life is under the aesthetic gun. Do playwrights, and theater practitioners in general, repress and thus betray their inner voices, or do they…

Provides an excerpt from the author's book by the same title in which he shares an account of how a playwright guides the children from start to finish in writing and performing their own plays. (MG)

The distinctive philosophies of Bertolt Brecht and Jean-Paul Sartre concerning man's existence directly influence their attitudes toward character, action, and the total drama. Both playwrights reveal that drama is an inseparable and reciprocal molding of content and form. The relationship between their ideas and their expressions of them is so…

Four books are discussed as being helpful in the teaching of playwriting at the college level: Kenneth Macgowan's "A Primer of Playwriting" (1951); Walter Kerr's "How Not to Write a Play" (1955); Bernard Grebanier's "Playwriting" (1961); and Sam Smiley's "Playwriting: The Structure of Action" (1971). The books are discussed individually and are…

Writing assignments designed to be interesting to students related to business letter writing, creative writing, and playwriting. (DB)

Describes the class activities that lead to the making of a play and contains the script for a play entitled "The last of the Scotts," written and acted by students with the teacher serving as the producer. (RB)