This article presents the artistic process employed by a group of young women in an academic setting at the Central University of Ecuador, as they wrote four documentary plays. These students, belonging to the first generation to have access to a dramaturgy class in a public university in the country, utilized an innovative to develop their…

This article compares and analyses factors that impact when creating a network on both online and live networking platforms, designed as spaces for artistic and critical engagement both within Africa and beyond. As I draw on the African Womens' Playwright Network as my example, I consider how we can acknowledge the materiality of the processes and…

This article investigates how playwriting served three middle school Black girls within a larger practitioner research study seeking to better understand the literate practices of girls of color. It delves into the ways that playwriting provided the girls in an afterschool writing club opportunities to explore both their knowledge and ways of…

This study has attempted to revisit gender issues presented in the New Literatures of Africa in English to investigate whether there is, indeed, an alternative vision of these issues. In spite of the great contributions of female writers in this literature, it has continued to be a male-dominated terrain. It is from this perspective that we…

Feminist action research interrogates gendered dynamics in the development of a collective consciousness. A group of immigrant Latina women (Latinas) from the Caribbean and Central America employed community-based theater as an instrument to mobilize diverse audiences against discriminatory practices and policies. Based on their theater work, I…

This article, theoretically constructed on Gramsci's notion of cultural hegemony, explores the use of Black female hair as a cultural signifier in two media texts, specifically Adrienne Kennedy's play, "Funnyhouse of a Negro," and Chris Rock's documentary, "Good Hair," in specific media texts. Analysis of the…

In the twenty-first century the United States incarcerates more of its citizens than any other country. While the numbers of incarcerated males far outnumber incarcerated women, there are still great concerns about the growing female prison population. This fixation with incarceration and building prisons has trickled down to America's children as…

In this article, the author analyses scripts written by incarcerated girls in playwriting and performance workshops conducted in regional youth detention centres and performed by formerly incarcerated girls in a programme called "Girl Time" in an urban American southeastern city. Through a close reading and analysis of characters, plots…

This original account is based on the author's experiences with incarcerated girls participating in "Girl Time", a program created by a theatre company that conducts playwriting and performance workshops in youth detention centers. In addition to examining the lives of these and other formerly incarcerated girls, "Girl Time" shares the stories of…

In this article the author examines the lives of formerly incarcerated African American girls of ages 14-17 who participate in a playwriting and performance program in an urban southeastern American city and who consequently find themselves "betwixt and between" incarcerated and liberated lives. Through interviews with formerly incarcerated girls…

This study examines the ways in which playwriting and performance provide tools for incarcerated and formerly incarcerated girls to prepare for their lives beyond detention centers and probation. In a three-year multi-sited ethnography journeying through regional youth detention centers (RYDCs), a multi-service center serving formerly incarcerated…

When children come together to play dramatically they are involved in the creation of an improvised text. This text emerges spontaneously via the moment-by-moment contributions of individual players who must operate in a highly collaborative way in order to achieve cohesion. This paper reports on a research project involving several groups of 11-…

Playmaking for Girls, founded by Rachel May and directed by Susie Spear Purcell, assembles a diverse ensemble of teaching artists committed to using playwriting and performance to help with incarcerated and formerly incarcerated teen girls to help them "think and thus act for themselves" (Freden, 2001, p. 70). These teaching artists, with the…

The diversity of important work being done by women in many aspects of theatrical performance in the United States is illustrated in this journal issue. The nine articles provide discussions of the following: (1) women's careers, images, and movements in the American theatre; (2) the evolution of La Mama, an off-off-Broadway theatre group begun in…

Discusses the depiction of women characters in the plays of Alice Childress. Analyzes "Wine in the Wilderness" to demonstrate Childress' skill at characterization and calls for further scholarship on this neglected playwright. (KH)