The traditional academic research paper isn't always the best form in which to judge student writing. When students are given a choice in form and genre, their true talents and creativity can be unleashed. Miller offers up classroom examples and ideas on how to let students express their creativity in writing literary papers, research papers, and…

This article investigates how playwriting served three middle school Black girls within a larger practitioner research study seeking to better understand the literate practices of girls of color. It delves into the ways that playwriting provided the girls in an afterschool writing club opportunities to explore both their knowledge and ways of…

Many first-year students struggle with the transition from high school writing to college writing as higher-order demands are made and new discipline-specific genres are added. Previous writing training can provide a "mental set effect," old habits of mind, which inhibits growth. Additionally, students receive writing training in courses…

This article discusses the successes and vulnerabilities associated with combining the pedagogical methods of Theater, Composition, and Community Literacy in the Composition classroom. It examines how the ideas of Augusto Boal's "Theatre of the Oppressed" and Paulo Freire's "Pedagogy of the Oppressed" can be combined to support…

This article introduces a pedagogical intervention that includes a set of creative activities designed to improve the oral and written production of students in the English classroom, especially those who have shown a lack of interest or attention. It was observed that participants initially seemed careless about studying the language. Eventually…

Research suggests that experts and beginners use qualitatively different writing processes when given the same text to write. Throughout their writing, experts tend to create a network of executive, structural, and content problems that they continually refine and coordinate as they bring the text to fruition. Novices, in contrast, tend to focus…

Discusses the value of teaching playwriting. (PRA)

Discusses the advantages of having composition students write plays and perform them in class. (FL)

Relates the steps in the process of students' productions of radio plays, which can inspire quality writing experiences. (RL)

One teacher devotes a portion of the college freshman composition course to an archetypal approach to literature, presenting students with basic story elements (archetypal patterns and characters) in myth and literature to which they can relate their own lives. Students create puppets and puppet plays in highly imaginative and entertaining ways.…

Presents a lesson that might be useful early on teaching a play writing class. Considers how audiences care about things that a character cares about. Explains that in a story the higher the stakes are for the character, the more an audience will invest in the story. Presents a seven question quiz with answers including a discussion of each…

Presents and discusses a course outline for a high school playwriting course (for which English credit is earned). Offers several writing assignments and a series of sequential steps designed to help students reach the goal of writing a one-act play. (SR)

A professional scriptwriter describes a semester course he teaches in which students are required to write 12 scripts. (PD)

Describes Ellen Norman Melamed's Playwriting Project, a 15-session classroom program that requires each participating student to write and design a play, to do at least one revision of each stage of his/her work, and to submit a critical assessment of the experience at the end of the term. (PRA)

A detailed account of how a high school playwriting course was developed, with a list of 20 exercises. (RL)