In the field of communication studies, an understanding of the relationship between form and genre is essential for mastering both practical skills and theoretical concepts in core courses such as public speaking, communication theory, and rhetorical criticism. Building on scholarship on the visual politics of presidential portraiture, this…

This instructional article focuses on the impact of Alex Garant's art and how it can spark exciting commentary in the classroom. The article features an interview with Alex Garant, information regarding several of Garant's contemporary works, understandings and questions in alignment with the new National Visual Art Standards, and web-based…

The majority of student and professional artists have faced the challenge of creating a self-portrait. It is probably the most universal task set for artists throughout the ages. The lesson described in this article serves as an alternative to the traditional self-portrait and as a means of achieving a likeness in a nonthreatening way. Students…

In the project described in this article, sixth-grade students use printmaking processes to design an art image of themselves accompanied by a reflective poem. The lesson begins with a discussion of self-portraits by famous artists, inviting questions such as "What visual clues does the artist present to the viewer?" and "How has the artist placed…

This article describes how to create the life-size teacher portraits that are displayed during an annual "Meet the Teacher" event held to introduce students and families to the facility and staff of the Apple Glen Elementary School in Bentonville, Arkansas. Several months prior to this event, students are asked to closely observe their…

Not every art department is fortunate enough to have access to digital cameras and image-editing software, but if a scanner, computer, and printer are available, students can create some imaginative and surreal work. This high-school level lesson begins with a discussion of self-portraits, and then moves to students creating images by scanning…

Every Thursday evening, ten high school students meet at the Riverdale Art Project, a New York City-based art program that the author co-founded ten years ago. Students are participating in a semester-long color workshop where they learn about color theory in a structured and engaging way. Focusing on five essential characteristics of color…

Provides a lesson for a high school art course on three-dimensional design. Based on a portrait bust by Naum Gabo, the project involves the construction of a 3-D portrait bust using railroad board. Describes techniques that students will need to be taught before beginning. (DSK)

This lesson resource focuses on the portrait in a three-dimensional art technique. Materials needed include ceramic clay and a pear as armature for the sculpted head. Exemplars of both two and three-dimensional portraits are to be used as inspiration and motivation for personal expression of the human form. This plan includes lesson goals and…

Describes an art activity in which junior high school students make portrait pots using plaster casts and clay. Each student created a reflection of his or her personality in clay. Specific teaching methods and ways of working with materials are discussed. (AM)

Instructional strategies based on a portrait painting of Francisco Goya introduce primary grade students to the idea that portraits are pictures of people. Students also develop an awareness that the visual vocabulary of color, shape, line, texture, and the quality of brushstrokes can communicate feelings and ideas. (RM)

Instructional strategies based on a portrait painting of Jean-Baptiste Oudry familiarize intermediate grade students with the techniques of portraiture and introduce the characteristics of eighteenth-century French rococo painting. (RM)

The instructional strategies suggested use a work of one of Mexico's most celebrated political history painters, David Siqueiros, to introduce junior high students to formal qualities in portraiture and contemporary Mexican art history. (RM)

Instructional strategies introduce students in grades 10-12 to the stylistic characteristics and portraiture technique of Mary Cassatt and help them understand Cassatt's relationship to work of other Impressionist painters. (RM)

Describes a self-portrait unit for middle school students using collage. Students draw silhouettes and then fill these in with cut-out magazine images reflecting their personalities. Encourages students to be inventive. The college background also reflects their personality. (KM)