No annotation; title sufficient

The many factors in making a good separate audio track for a program. (Author)

Four systems of presenting script to the television performer are described. (BD)

Teaching rhetorical production in a digital age calls for us to rethink our discipline's current distaste for writing mechanics. Yet, the digital mechanics of writing are much broader than grammatical concerns. They include production tools that allow for the invention and circulation of audio, visual, and Multigenre writing. (Contains 3 figures…

The purpose of this paper is to consider the specific role of Peer Assisted Learning (PAL) in creative media production courses. We present a review of the pedagogical approaches that inform our "generic" understanding of PAL. We then consider both quantitative and qualitative data from students, leaders and tutors to gain insights into…

The educational value of Immersive Virtual Worlds (IVWs) seems to be in their social immersive qualities and as an accessible simulation technology. In contrast to these synchronous applications this paper discusses the use of educational machinima developed in IVW virtual film sets. It also introduces the concept of media intervention, proposing…

How backup systems and spare parts insure against equipment breakdowns. (Author)

How to make initial on-camera appearances a success. (Author)

A presentation of some inexpensive ways to brighten up titles for color productions. (Author)

A discussion of how the Educational Design Unit operates at the British Broadcasting Corporation. (HB)