Performance-making and peace-building are processes predicated on the production of safe space. But what is "safe space"? In performance-making, what is it that makes space safe without losing the creative potential of tension? What role is there for risk? And, once achieved, how does safe space become meaningful beyond its immediate…

Considers the development of theatre programmes within war or conflict affected regions. Discusses how the practical and theoretical dilemmas, which are always apparent in applied or community theatre projects, are heightened by the dynamics of these violent situations. Touches on a few of these concerns in relation to the author's work within the…

Describes the Community Arts and Education Partnership, a community-system arts and literacy program for students at all grade levels. Notes that in this program, professional community artists and generalist classroom teachers delivered a sequential, integrated curriculum to over 500 students of diverse ethnicities. Concludes that literacy gains…