"Lesson that come easy are not lessons at all. They are gracious acts of luck. Yet lessons learned the hard way are lessons never forgotten"--Don William. The present paper illustrates how to plan effectively for teaching prose in English. The design and strategy of the lesson can be planned prior to the teaching class. Teaching prose is…

While the social, political, economic, educational, and cultural consequences of high rates of incarceration have been well documented, the social psychological dynamics have not received as much discussion. I offer here a first person narrative reflection on the connections between a writing workshops and raising social awareness of the realities…

I propose that we think about what a paragraph is by considering its "function," what it does in a piece of writing, whether in a popular novel, a newspaper article, an e-mail, a business report, or a lofty piece of literary criticism. We might think about a paragraph as a "rhetorical dwelling."

We propose a two-component theory of text signaling devices. The first component is a text-based analysis that characterizes any signaling device along four dimensions: (a) the type of information it makes available, (b) its scope, (c) how it is realized in the text, and (d) its location with respect to the content it cues. The second component is…

In many classrooms, poetry is shoved to the neglected edge of language arts, out of the bright core of content that may (should) include grammar, vocabulary, and strong literature. If time permits, a class may read a few poems and discuss them from a so-called "interpretive" point of view. All of this takes place in the context of an apparent…

Shares 12 steps to using found poetry as an introduction to a unit on poetic composition. (MG)

Grammar is the public aspect of language, the rules that make for "correctness." It comprises the linguistic rules that must be mastered if the general interest is to be served. As such, the rules of grammar have to be clear-cut in their application and definable in objective terms. (MLW)

Describes clientele who could benefit from software being developed at University of Iowa for writing effective prose; what these authoring tools do and how they work; and design standards likely to produce a successful product. The software's design scheme, general design principles and objectives, and educational potential are discussed. (MBR)

Describes a simple eight-step technique for teaching poetry that introduces poetry from the standpoint of writing it and by changing prose to poetry. (SR)

Shows how students improve their powers in writing nonfiction when they are asked to solve writing problems similar to those facing major novelists. Advocates teaching literature by teaching writing, and vice versa. (RL)

Includes: (1) "A Comment on 'Lacan, Transferences, and Writing Instruction'," Janet Hiller and Barbara Osburg; (2) "Robert Brooke Responds"; (3) "A Comment on 'Writing (with) Cixous'," Debra Raschke; and (4) "Clara Juncker Responds." (RAE)

Describes a program of creative writing and describes student objectives and teacher objectives that allow the experience to aid students in producing critical essays. (CRH)

College students wrote summaries of short passages to assess their ability to identify important information. Naive summaries judged as "better" contained more major semantic roles, such as agent, than did summaries judged "not as good". Students wrote better summaries when instructed to use major semantic roles within the passage. (Author/RD)

Good writing is seen as good thinking--thinking carefully, not just grasping for the opinion nearest at hand, and clearly. Its primary purpose is to communicate with the reader. Good writing can be learned--to think honestly, to say things clearly, to avoid pomposity, and to consider the reader. (MLW)

This book discusses basic craft elements of writing, illustrates from adult and children's literature what constitutes an engaging passage of description, and then illustrates how that craft can be taught in a workshop environment. In addition, this book includes involvement experiences that help teachers experience these craft elements. After an…