A question that captured our attention many years ago and continues to motivate our work, although the audience for that work has expanded and contracted over the years, is "What about reading?" In this essay we adopt a term used to frame discussion at the 2010 Conference on College Composition and Communication (CCCC)--remix--to revisit in three…

Ayn Rand's novel "The Fountainhead" can be a useful text in an undergraduate English class, helping students think through issues of individualism. Rand's own concept of the self, however, ignores its social dimensions. (Contains 7 notes.)

In this article, the author argues that Emerson repudiated the formalism of nineteenth century belletristic, mechanistic, reason-centered, American rhetoric influenced by Hugh Blair. Instead Emerson promoted a rhetoric with imagination at its center, which calls for civic duty. (Contains 33 notes.)

Examines the view that readers read different texts and create the text they read. Argues that (1) this view is a form of conceptual relativism; (2) the view is incoherent; and (3) work on radical interpretation offers a much more satisfactory account of why interpretations of texts differ so radically and better explains the value of studying…

Although, by the time of her death, Louise Rosenblatt was highly respected in the fields of composition and reading theory, she did not enjoy the same status among literary theorists. In this article, the author argues that Rosenblatt should be taken seriously as a literary theorist. The author shares her views on Rosenblatt's "Literature as…

This essay explores a reading of "Robinson Crusoe" that suggests the novel has taken on new gravity after the first "preemptive" war in U.S. history, a war justified by the attempt to "spread freedom" to Iraq. It examines how Crusoe comes to understand the relationship between the state and the individual. Robinson…

Argues that adopting a metacritical stance and examining the dialogue between text and audience will result in a better understanding of how Canada's cultural and intellectual contexts shape the interpretive act, and how this dialogue constructs the public meaning of literary works. (RAE)

Provides a theoretical framework by which traditional prosody might be reformulated according to reader response insight. Advocates prosody taking the form of a "story of reading." Advocates a narrative style of prosodic criticism. (HB)

Increasingly, autistic students are attending college, posing new challenges to writing instructors. In particular, such students may have trouble imagining readers' responses to their texts. Developing an appropriate pedagogy for these students may involve revisiting composition studies' tradition of cognitive research, while not abandoning more…

Claims that Tom is a character eminently suited to the multiplicity and subjectivity arguments of reader response criticism (RRC), that meaning is a relation between an author, a text, and a reader, not an object, as New Criticism held, and not a procedure, as RRC assumes. (RAE)

Argues that the exclusion of the literature of women, of black, ethnic, and working-class writers from the established literary canon has less to do with valuations of literary quality than with the social distribution of power. (SRT)

Broadens the space for a discussion of reading based in some degree of theorizing that has already occurred within the community of African-American critics and scholars. Argues that those engaged in reader-oriented approaches to literature need to intervene in the canonical debates and the critical practices of noncanonical literatures through…

Seeks to add another vocabulary to the pedagogy of the creative writing workshop: the language of use and action, of practice and implementation. Investigates how to reform the discursive walls between creativity and theory and ends by suggesting how educators might bring classrooms and communities together. (RS)

Indicates how current stylistic criticism might engage ideological issues by more fully developing M. Bakhtin's ideas through an approach called cultural stylistics. Notes that Bakhtin's own work was very much concerned with the divorce between ideological and formalist analysis, and his "sociological stylistics" was intended to…

Explores questions about the use of history in teaching literature and about the relation between academic reading (with its emphasis on form and the objectification of the reading process) and naive reading (which depends on a psychological identification with a character). Illustrates these issues through a discussion of a feminist reader's…