In the digital age, children's and adolescents' willingness to engage in absorbed reading for pleasure is on the decline. Digital narratives with a linear storyline enriched with hyperlinks to supporting media materials, could potentially facilitate narrative absorption even better than print, thus stimulating fictional reading among adolescents.…

This article reports on two studies investigating reader stance, navigation, and response in expository hypertext. Subjects in the studies included 69 and 147 adult readers prompted to adopt either an efferent or aesthetic stance when reading a 36-node expository hypertext. Reading was followed by recall and essay writing tasks. Results of the…

This article has been about reconsidering how writing center directors train tutors to read and respond to texts. The subject here has been new media texts. The author has asked directors to reconsider how they tutor and how they talk to students about their writing. The impetus for these evolved practices is the arrival of increasing numbers of…

Describes a model procedure for integrating direct instruction in story structure with reader response to literature in two settings: traditional storybook read-aloud sessions and nontraditional HyperCard computer sessions. (SR)

Offers a discussion of audience representation versus self-representation in the study of writing. Discusses hypertext, Web pages, hub pages, and links. Probes how writers represent themselves in the way they structure links in hypertext documents on their Web sites. (CR)

What is pleasing about hypertext is what has always been pleasing about genre fiction: the creative process of reading. Genre novels are written to a formula--and often called formula fiction. Critics say they are written to make money and to make money only. According to C. S. Lewis, they "rot the mind." If looked at from the standpoint…