Reiterates some of the major tenets of reader-response theory. Describes the "writerly" text as a source of activity rather than of meaning, and examines Gary Paulsen's "The Winter Room" as an example of the active writerly text. (SR)

Considers the stories that children read, hear, and make part of their lives. Focuses on the text with the understanding that texts live only when read by a person in a particular context. (MG)

Analyzes the conversation of sixth grade children in literature response groups. Finds and describes two distinctive gendered styles of talk about literature, the predominate female mode of response being the "discourse of feeling," and the predominate male mode of response being the "discourse of action." Discusses pedagogy…

Encourages students to slow down and to reflect upon what they had read. Focuses on the visual arts, particularly for their capacity to help move students from the concrete to the abstract. Notes that Lowry's (1993) novel "The Giver" particularly lent itself to this approach because its powerful visual imagery encourages readers to return to and…

Describes the folk tale "Iron John" and the attraction it held for the author as a boy. Discusses the author's own reforming of the tale in a picture book version. (SR)

Describes the responses of children in kindergarten through second grade to reading aloud. Finds a proclivity toward a wide range of play with the action, sound, and rhythm of language related to the book's content. Suggests that verbal exclamations such as laughter, changing facial expressions, and imitative gestures are legitimate features of…

Argues that historical understanding requires historical thinking--taking a critical stance toward what is read and assuming a questioning attitude. Identifies numerous trade books that deal with sources (showing how evidence is acquired and evaluated), conflicting interpretations, and powerful concepts and generalizations. Describes how to help…

Describes one second-grade student's interaction with the picture books of Gerald McDermott. Describes the classroom context, and discusses McDermott's work. Describes the child's thoughtful and creative responses to McDermott's picture books in a classroom that supported students' explorations. Notes the importance of engaging children in…

Explains how a teacher comes to learn that primary and intermediate grade students are engaged by fiction and nonfiction both, that they do not associate one with pleasure and the other with learning. Argues that readers of all ages find meaning in a work, fictional or nonfictional, to the extent that it relates to their own lives and experiences.…

Discusses how four picture books, "Granpa,""The Tunnel,""The Wolf," and "Shortcut," provide the stimulus for children to become more effective readers through the use of sophisticated literary strategies. Explores some of the "gap-filling" required of readers as they deal with the indeterminacies…

Discusses one seven-year-old girl's responses to three feminist folktales. Finds that for each tale, the girl was drawn to the female protagonist and named her as her favorite character, but the girl did not wish to emulate the female protagonists because of their unconventionality. Suggests that such tales may offer alternative models of female…

Argues that the primary value of literature lies within the work itself, an appreciation of it, and the connections readers make to it. Discusses how a reader response approach offers one way to open the door for children to the lived-through experience of literature as art with intrinsic value. (SR)

Discusses how curriculum can be designed so that it has the transforming power to change lives and transform words and actions, especially through literature study. Describes a group of third-graders' transactions with Patricia Polacco's "Chicken Sunday" to show how a "narrative curriculum" can be transformative. Discusses distinctive features of…

A study examines three eight-year-olds' responses to fairy tales, and their perceptions of the tales' meanings. Finds many unique and deeply personal responses, but also finds patterns of response which suggest that adult interpretations of fairy tales are not necessarily the interpretations that children make. (RAE)

Relates how one kindergarten student's interest in the chronology of books published by a single author sparked an enthusiasm that was contagious for other students. Notes that this student was sparked by a concept which had not occurred to the teacher, which underlines the importance of leaving room for students' own decisions about what to…