Compares the music-teaching methods of Maurice Martenot and Edgar Willems, used widely in Spain and Portugal, by applying a revised comparative model to both methods. Concludes that both methods have solid values relating to the development of aural perception. Suggests areas for further research. (DSK)

Articulates a fundamental rationale for the practice of qualitative research in music education. Argues that knowledge and experience are by definition subjective and constructed, thereby validating research methodologies that incorporate and acknowledge these realities. Identifies eight "processes" that offer productive research opportunities.…

Notes that large-scale qualitative research projects tend to produce vast data pools from observation journals, interview transcripts, and other material that often is barely analyzed in the originating project. Argues that this material represents a valuable research resource. Includes six suggested rules for the use of older data. (MJP)

Examines the differences in methodology, content, and conclusions among various approaches to music education historical research. Argues that the preeminent role of interpretation in historical research mandates a broad assortment of methodologies including qualitative research. Includes excerpts from four different histories describing a seminal…

Provides a brief overview of the uses of rhetoric in the history of writing about music. Discusses Aristotle's topology of the three different kinds of rhetoric: deliberative, judicial, and epideictic (demonstrative). Includes excerpts from past music criticism, copious notes, and a 27-item bibliography. (MJP)

Maintains that the entire field of adult music instruction outside of traditional education largely has been ignored by education researchers. Argues that this field is particularly productive in transmitting musical culture within ethnic communities. Identifies some of the organizations available: church choirs, community bands, singing groups,…