This article excavates how style in writing was represented and taught in the under-investigated mid-twentieth century. I trace four editions of the textbook "Modern Rhetoric" (1949-1979), authored by Cleanth Brooks and Robert Penn Warren; I detail how the book was surprisingly innovative for the time, despite its eventual re-entrenchment to a…

The fiftieth anniversary of the Strunk and White edition of "The Elements of Style" is an appropriate occasion for considering its enormous popularity. Especially interesting is the esteem for the book held by Theodore Kaczynszki, convicted as the Unabomber. His embrace of Strunk and White's values points to a kind of violence and primitivist…

Argues that students in college composition courses do not recognize the need for revision, and when they do, they lack professional writers' determination to revise. Notes that word processing does not provide incentive or skill to rewrite. Explores the accumulative rhetoric of word processing as it is experienced by student writers. (RS)

Notes discrepancies between findings from textual studies and classroom practices and textbooks. Reviews research on cohesion and writing development. Argues that teachers must critically examine writing research and apply it in the classroom. (JAD/RAE)

Argues that in teaching students to write as critics, educators need to ask them to change not how they think but how they work--to take on a new sort of intellectual practice. Shows how helping students become more aware of choices they make in revising their texts can help them gain control of using the work of others and gain a reflectiveness…

The teachers are urged by Beech and Thelin to help students expose ideology in their texts and the texts of others. The idea of teaching critical practice is highlighted by Harris who thinks that one can learn to expose ideology by reading cultural texts closely and critically.

Describes how teachers can use computer programs to combine the systematic coverage of a writing class with the individualization of a writing workshop. (MM)

Presents a model of the writing process using three stages of drafting: zero drafting--the discovery and initial realization of the topic; problem solving drafting--the identification and resolution of major conceptual and organizational problems; and final drafting--the attempt to arrive at the best possible solution to a rhetorical problem. (MM)

Describes projects using computer programs to help teach the writing process to college students. (MM)

Establishes a typology of nine profiles that display how content and form are generated, organized, and reassessed from intention to revision. (MM)

Presents a method of evaluating writing that (1) reduces teachers' marking time; (2) facilitates rather than judges student writing; (3) emphasizes performance rather than finished product; (4) provides double feedback, before and after revision; (5) helps bridge successive drafts by requiring immediate revision; and (6) improves student writing.…