Objects are rich sources of inquiry; they invite individuals to observe closely, pose questions, forge connections, and anchor ideas in the concrete. By examining a son's craft project, a family photograph, and an image of tectonic plates, the authors demonstrate how objects can elicit rhetorical invention. While this venture started as a writing…

When, why, and how do college students come to value their writing as intellectual property? How do their conceptions of intellectual property reflect broader understandings and personal engagements with concepts of authorship, collaboration, identification, and capital? We address these questions based on findings from the Stanford Study of…

This article identifies and examines a digital arm of creative writing studies and organizes that proposal into four categories through which to theorize the "craft" of creative production, each borrowed from Tim Mayers's "(Re)Writing Craft: Composition, Creative Writing, and the Future of English Studies": process, genre, author, and…

In this article, the author argues that Emerson repudiated the formalism of nineteenth century belletristic, mechanistic, reason-centered, American rhetoric influenced by Hugh Blair. Instead Emerson promoted a rhetoric with imagination at its center, which calls for civic duty. (Contains 33 notes.)

Examines Ciceronian "inventio," comparing it with twentieth century philosophical stances in several contexts. Urges composition teachers to revive the rhetoric of Cicero, particularly its use of pro and con debate. (MM)

This essay explores a reading of "Robinson Crusoe" that suggests the novel has taken on new gravity after the first "preemptive" war in U.S. history, a war justified by the attempt to "spread freedom" to Iraq. It examines how Crusoe comes to understand the relationship between the state and the individual. Robinson…

Counteracts the overemphasis on introspection that potentially limits composition students' progress in argumentation by endorsing a renewal of classical rhetoric and invention. Explores texts by William James and Sigmund Freud, which are suitable works to provide the framework necessary for a confrontation-based classroom approach to invention.…

Asserts that "Roman Fever" responds to a reactionary political climate, demonstrating an anti-reactionary thrust to Edith Wharton's fiction. Argues that Wharton deserves credit for articulating the destructive character of a cultural misogyny that led quickly to what she saw in 1933 as "a world whizzing ... crazily to the…

Shows that Antin's talk poems satisfy basic needs. Discusses Antin's view on an art that addresses the concerns of "common life" and concentrates on feelings that do not depend on elaborate and evasively self-sustaining formal constructs. (EL)

Views purpose in writing as a complex web of meaning which writers build and which readers in their own, independently constructive way infer. (JAD)

Examines features of and sources for the discourse of Martin Luther King, Jr., as they relate to the language and assumptions favored by his listeners and readers in an effort to understand how speakers and writers can successfully argue from premises that audiences accept. Indicates how an understanding of King can help in composition…