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Miller, Bruce – Teaching Theatre, 2002
Argues that teachers need to reinforce the idea that the successful actor's first step in the process of finding and developing a character is to understand the script. Includes the script for a 10-minute play, Christopher Graybill's "Go Look." Presents a close study of the script. (RS)
Descriptors: Acting, Characterization, Scripts, Secondary Education
Miller, Bruce – Teaching Theatre, 1997
Describes "neutral scenes," a dialog exchange for which actors must supply the meaning. Contends the exercise provides young actors the opportunity to use all the basic tools they will need when they progress to more conventional scene work, such as finding conflict, using given circumstances, playing relationships. Advises analyzing the…
Descriptors: Acting, Assignments, Dramatics, Higher Education
Miller, Bruce – Teaching Theatre, 2000
Presents a sequence of exercises that address the importance of using words effectively, and considers the insensitivity so many young actors today have regarding the words they have been given by playwrights to say. Intends to help students better connect and deepen the meaning of the words they use as actors with the objectives they choose to…
Descriptors: Acting, Instructional Improvement, Instructional Innovation, Scripts
Cullum, Albert – 1995
This resource presents scripts for eight Shakespearean plays. The scripts are adapted for classroom presentation by intermediate level students. Each play includes introductory materials, instructions for staging and costumes, a vocabulary list, and a cast of characters. Enough roles are provided for participation by every child in the class. Many…
Descriptors: Acting, Comedy, Drama, Dramatics
Miller, Bruce – Teaching Theatre, 1997
Discusses the artistry of those who write plays and films to introduce a series of sequential exercises to help student actors become more sensitive to the playwright's contribution. Outlines and explains the phases of "monologue makers": (1) tell stories; (2) make a play; and (3) get on your feet. (PA)
Descriptors: Acting, Drama, Higher Education, Monologs
British Columbia Dept. of Education, Victoria. Curriculum Development Branch. – 1984
The materials and resources offered in this performance guidebook are designed to develop the more formal acting skills of secondary school students, to provide extensive experience in script analysis and scene work, and to develop the student by modifying unfortunate inhibitions, encouraging creativity, and developing strong communication skills.…
Descriptors: Acting, Curriculum Design, Drama, Dramatics
Potter, Douglas – Secondary School Theatre Journal, 1983
Presents guidelines and activities for radio theatre production. Covers playwriting, production techniques, skits, and improvisations. Includes an opening segment of a script adapted for radio of Chekhov's "A Marriage Proposal." (PD)
Descriptors: Acting, Creative Dramatics, Drama, Playwriting
Cullum, Albert – 1993
This resource presents scripts for 15 classical plays from ancient Greece and Rome. The scripts are adapted for classroom presentation by intermediate level students. Each play includes an introduction, instructions for staging and costumes, a vocabulary list, and a cast of characters. Enough roles are provided for participation by every child in…
Descriptors: Acting, Classical Literature, Comedy, Drama
Thistle, Louise – 1993
Designed to be used by teachers with varying degrees of dramatic arts experience and by students with limited English proficiency as well as native English speakers, this clear, simple guide familiarizes teachers and children with classic literature through the narrative-mime approach. The guide contains: (1) eight of Aesop's fables adapted and…
Descriptors: Acting, Class Activities, Cooperative Learning, Creative Dramatics
Johnson, Maureen Brady – Teaching Theatre, 2002
Describes how a theatre educator brought together her acting students and her playwriting students so that the playwrights could see their work performed and acting students see the relationships among performer, director, and playwright. Discusses matching plays to players, customizing scripts, "showtime," and adapting the project. (RS)
Descriptors: Acting, Drama, Higher Education, Playwriting
Montgomery County Public Schools, Rockville, MD. – 1986
As part of the theatre studies program offered by Montgomery County (Maryland) senior high schools, this instructional guide for advanced acting is designed to train students in the rigorous skills of preparing and presenting a character in performance. After listing 11 educational objectives, including being able to identify character elements…
Descriptors: Acting, Characterization, Drama, Dramatics
Wilcox, Lola – 1977
The last of four related manuals describing the goals and methods of an established developmental theatre project at the University of Colorado, this manual discusses the processes involved in selecting and adapting scripts for specific audiences. The manual suggests ways to cut longer plays for school audiences, methods for organizing parts of…
Descriptors: Acting, Adults, Audiences, Creative Writing
Minnesota State Dept. of Children, Families, and Learning, St. Paul. – 1998
Developed by classroom teachers during the development phase of Minnesota's Graduation Standards, this performance package is made up of locally designed assignments that, taken together, show whether a student has learned and can apply the knowledge and skills related to creating, interpreting, and evaluating a variety of artistic expressions. It…
Descriptors: Academic Standards, Acting, Characterization, Childrens Literature
Kester, Ellen S. – 1985
Intended for teachers of gifted students in grades 4-12, the curriculum uses six of Shakespeare's comedies ("The Taming of the Shrew,""The Tempest,""Twelfth Night,""The Comedy of Errors,""As You Like It," and "A Midsummer Night's Dream") as materials for nurturing intellectual and…
Descriptors: Acting, Characterization, Comedy, Drama