Written communication is essential to student success. Mindfulness exercises may improve thoughts and feelings that support written communication. These exercises are typically delivered to students in small groups such as tutorials. However, first year courses that develop written communication skills are often delivered in large classroom…

This case study reflects on how Performative Foreign Language and Culture Education: (1) encourages students to be in charge of their learning processes through embodiment; (2) fosters community, sense of belonging, and the disruption of hierarchical norms by unleashing the power of discomfort; (3) brings to light the issue of assessment as a…

This study examined the effects of a script-based communicative intervention (SBCI) on psychological and cultural adaptation in students studying abroad in second language (German and Spanish) contexts. Regardless of language proficiency, students with exposure to the SBCI, relative to those without the intervention, exhibited higher well-being…

Describes a production-oriented course designed to give students experience in writing for film and knowledge of screenwriting techniques and film planning activities. (PD)

Argues that technical communicators must be prepared to communicate via multiple media, including video. Describes a technical scriptwriting course that develops skills useful in several media. Discusses pedagogical strategies, three major assignments, reading assignments, client assignments, production diary assignment, and new technology. (SR)

A professional scriptwriter describes a semester course he teaches in which students are required to write 12 scripts. (PD)

Presents a course in film planning (preproduction made up of the following units: (1) evaluating the concept; (2) preparing the script; (3) budgeting; and (4) financing. Includes readings for each unit. (PD)

Describes a theater course which engages senior high school students, through a series of units, in the creation and staging of an original script for young children. Lists the units: (1) creation of the script; (2) rehearsal and pre-production; and (3) production. Enumerates the students' responsibilities and reflects on the collaborative…

This paper contains handouts and materials for use in a college level nonfiction television writing course. Following a description of the course and its assignments and texts, the major portion of the paper contains samples of various script formats, including a news commentary, a commercial advertisement, a documentary, and public and community…

Intended to describe the library instruction course offered by the Learning Resource Center (LRC) at Tennessee's Tri-Cities State Technical Institute in Blountville, this package contains an outline of the program, three sample pathfinders in technical subjects, an LRC guide, a sample LRC evaluation questionnaire, and a script for an instructional…

This guide for an adult marketing education course provides instructors with the necessary materials to present a seminar about "image management to project professionalism." General teaching suggestions are provided as well as a course outline and a time chart that provides guidelines for the minimum and maximum time to be spent on each…

This handbook provides novice video production teachers with a basic course outline containing information, activities, and lessons for use with high school students in an introductory television course. The contents are divided into five major sections: (1) before class begins, (2) preproduction, (3) production, (4) postproduction, and (5) the…

This document presents a definition and brief background of graphic design and visual education. It outlines a journalism and mass media course lecture which introduces students to the commercial scope of visual communications and the potentials of design. The script along with appropriate slide titles and descriptions, are provided to recreate…