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Tsai, Shang-Te; Chang, Ting-Cheng; Huang, Yu-Feng – EURASIA Journal of Mathematics, Science & Technology Education, 2016
Producing an animation requires extensive labor, time, and money. Experienced directors and screenwriters are required to design scenes using standard props and actors in position. This study structurally analyzes the script and defines scenes, characters, positions, dialogue, etc., according to their dramatic attributes. These are entered into a…
Descriptors: Animation, Scripts, Film Production, Drama
Winn, Ryan – Tribal College Journal of American Indian Higher Education, 2012
When the lights come up on College of Menominee Nation's theater productions they illuminate the stories that students want to tell. These stories have traveled from the campfires, to classrooms, and then to the stage. They are original in execution but build on a long tradition of Indigenous storytelling. The stories are specific to the students,…
Descriptors: Drama, Audiences, Playwriting, Story Telling
Kelly, Jennifer R. – Canadian Journal of University Continuing Education, 2010
This paper aims to contribute to our understanding of how researchers and adult and continuing education scholars can work collectively with communities of adults. It illustrates the links between theory and practice in community-university engagement. The paper expands our understanding of the ways in which research data and arts-based activities…
Descriptors: Oral History, Theory Practice Relationship, Continuing Education, Foreign Countries
Gunn, Drewey Wayne – Educational Theatre Journal, 1978
Presents a list of the various texts of Williams's plays which were published prior to 1977, including plays produced but not yet published. Notes the existence of unpublished versions of printed plays when such were used for a production. (JMF)
Descriptors: Bibliographies, Drama, Films, Playwriting
Fowle, Donald – Players, 1974
A list of plays having American premiers in 1973. (CH)
Descriptors: Check Lists, Drama, Dramatics, Indexes
Kirby, Michael – Drama Review, 1974
A discussion of the pros and cons of considering the theatre as literature despite the "performance" qualities of dramatics. (CH)
Descriptors: Drama, Dramatics, Literary Criticism, Nonverbal Communication
Gamble, Michael W. – 1976
Clara Tree Major, the first producer to provide professional touring plays exclusively for children's audiences (from 1925 until 1954), not only produced these plays but also wrote the scripts by adapting children's stories for the theatre. This paper investigates Major's playwriting principles and techniques, examines Major's philosophy in play…
Descriptors: Characterization, Children, Childrens Literature, Drama
Zivanovic, Judith – 1973
The distinctive philosophies of Bertolt Brecht and Jean-Paul Sartre concerning man's existence directly influence their attitudes toward character, action, and the total drama. Both playwrights reveal that drama is an inseparable and reciprocal molding of content and form. The relationship between their ideas and their expressions of them is so…
Descriptors: Creative Writing, Drama, Dramatics, Playwriting
Rienstra, Phillis – Speech Teacher, 1972
Descriptors: American History, Creative Dramatics, Drama, Interpretive Reading
Shafer, Yvonne B. – Players, 1974
Historical and critical reviews. (CH)
Descriptors: Drama, Dramatics, Feminism, Playwriting
Novak, Glenn D. – West Georgia College Review, 1986
Horton Foote was among the television writers who helped make NBC's "Television Playhouse" the most popular live dramatic program on the air during the "Golden Age" of television drama, the period between 1952 and 1957. Foote felt a strong affinity for the land and people of his youth, and modeled the imaginary towns of…
Descriptors: Acting, Characterization, Creative Writing, Drama
Wood, David – Drama, 1973
A rationale for writing more children's plays by experimental theatre playwrights. (CH)
Descriptors: Childhood Needs, Children, Creative Writing, Drama
Miller, Bruce – Teaching Theatre, 1997
Discusses the artistry of those who write plays and films to introduce a series of sequential exercises to help student actors become more sensitive to the playwright's contribution. Outlines and explains the phases of "monologue makers": (1) tell stories; (2) make a play; and (3) get on your feet. (PA)
Descriptors: Acting, Drama, Higher Education, Monologs
Potter, Douglas – Secondary School Theatre Journal, 1983
Presents guidelines and activities for radio theatre production. Covers playwriting, production techniques, skits, and improvisations. Includes an opening segment of a script adapted for radio of Chekhov's "A Marriage Proposal." (PD)
Descriptors: Acting, Creative Dramatics, Drama, Playwriting
Johnson, Maureen Brady – Teaching Theatre, 2002
Describes how a theatre educator brought together her acting students and her playwriting students so that the playwrights could see their work performed and acting students see the relationships among performer, director, and playwright. Discusses matching plays to players, customizing scripts, "showtime," and adapting the project. (RS)
Descriptors: Acting, Drama, Higher Education, Playwriting
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