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Jean, Lily – Journal of Philosophy of Education, 2021
Stacy Boldrick is a Lecturer in Art Museum and Gallery Studies at the University of Leicester, where she conducts research in iconoclasm and its significance for social groups and institutions. She is the author of "Iconoclasm and the Museum" (Routledge, 2020). In 2013, she collaborated with Tabitha Barber to curate Art Under Attack:…
Descriptors: Art, Museums, Universities, History
Dunn, Thomas R. – Quarterly Journal of Speech, 2011
This essay examines how public memory is visualized in the statue to Canada's "gay pioneer," Alexander Wood. By analyzing three viewing positions of the statue--the official democratic memory, traditionalist countermemory, and camp countermemory--I argue each position enacts a distinct form of remembering Wood with implications for both…
Descriptors: Rhetoric, Memory, Homosexuality, Sculpture
Stephens, Pam – SchoolArts: The Art Education Magazine for Teachers, 2010
Born in Cumberland, Maryland, Nancy Sansom Reynolds earned her Master of Fine Arts degree from George Washington University in Washington, DC in 1982. Reynolds' reputation as a sculptor has steadily grown over the years, and today her artwork is included in many private and public collections and has been displayed in the United States, Asia,…
Descriptors: Artists, Sculpture, Art Materials, Methods
McDermott, Morna – Journal of the Scholarship of Teaching and Learning, 2008
This essay focuses of an arts-informed inquiry performed by sixteen pre-service teachers who created sculptures to explore their teaching philosophies. Through this creative process changes occurred in their assumptions and expectations about what is of value in teaching and relationships between themselves, their students, and the community. The…
Descriptors: Preservice Teachers, Educational Philosophy, Sculpture, Creative Activities

Dobbs, Stephen; McVey, William – Art Education, 1981
An interview with noted sculptor William McVey. (SJL)
Descriptors: Artists, Interviews, Sculpture

Rettstadt, Joyce S. – School Arts, 1979
It is suggested that sandstone makes a good inexpensive medium for sand sculpture. It is available at foundries, or it can be made out of sand. Two formulas for making sandstone are included. (KC)
Descriptors: Art Activities, Art Materials, Elementary Secondary Education, Sculpture

Johnson, Scott – Journal of Marital and Family Therapy, 1992
Notes that one of most important ways of examining artistic works, and of explicating psychotherapeutic theories, has been the application of psychotherapy's ideas to works of art. Explores the Roman sculpture, the Laocoon, from systems point of view, discussing ways in which this work embodies family therapy concepts and how in turn those…
Descriptors: Art Products, Interpretive Skills, Psychotherapy, Sculpture

Wasserman, Burton – School Arts, 1979
The author suggests that we tend to give short shrift to sculpture when we go to art museums and great architectural landmarks. She describes various forms of sculpture: carving; modeling; modern plastics, rope, glass, rubber; and mobiles. (KC)
Descriptors: Aesthetic Education, Art Appreciation, Educational Philosophy, Sculpture

Kozar, Andrew – Journal of Physical Education, Recreation & Dance, 1984
This article explores the contributions of R. Tait McKenzie to the field of physical education and sport. A brief biography shows how McKenzie influenced the development of exercise in education and physical medicine. (DF)
Descriptors: College Curriculum, Higher Education, History, Medical Education
Vallance, Elizabeth – Art Education, 2004
Artemis is a late Hellenistic Greek marble sculpture of the huntress, running in a flowing garment, now lacking arms, legs, and head, and about three-quarters life-sized. The llama is a remarkable hollow male figure of smooth thin gold, and about two inches tall, and was made by the Inca before the Spanish conquest in 1532. This narrative is just…
Descriptors: Art Education, Museums, Art History, Art Products

Threlfall, Tim – Journal of Art & Design Education, 1982
Argues that trends toward overspecialization in arts and design education have made it difficult for sculptors and architects to collaborate in the design of public spaces. Available from Carfax Publishing Company, P.O. Box 25, Abingdon, Oxfordshire OX14 1RW England. (AM)
Descriptors: Architectural Education, Art Education, Educational Trends, Higher Education

de Cosson, Alex – Alberta Journal of Educational Research, 2002
Art learning is an embodied practice learned through praxis. An unconventional style of conducting research on such learning is presented, in which doing the work changes the intent, which in turn changes the work, subsequently changing the intent again, and so on. The process leads to discovery and new insights. (TD)
Descriptors: Ambiguity, Art, Experiential Learning, Hermeneutics

Townley, Mary Ross – School Arts, 1983
There is a natural progression from making single objects to creating sculpture. By modeling the forms of objects like funnels and light bulbs, students become aware of the quality of curves and the edges of angles. Sculptural form in architecture can be understood as consistency in the forms. (CS)
Descriptors: Architecture, Art Activities, Art Appreciation, Art Education

Martin, F. David – Journal of Aesthetic Education, 1979
Sculpture is the revelation of our withness with things: our being-in-the-world. Because this is so, sculpture has a special and healing role in our times. (Author)
Descriptors: Art Appreciation, Art Expression, Art Materials, Artists

Judson, Bay – School Arts, 1984
The life of the sculptor Henry Moore is briefly discussed and characteristics of his sculpture are described. Also included are lists of recommended films and books dealing with Moore, a student's guide to looking at sculpture, and sculpture activities for secondary students. (RM)
Descriptors: Art Activities, Art Education, Biographies, Instructional Materials