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Hewson, Federico – Teaching Artist Journal, 2017
"Teaching Flowers" reflects on humanity's deep connections to horticulture by gathering varied thoughts from seminal writers in the field. In addition, this visual article draws attention to labor issues within the U.S. floral industry by documenting the author's exploration of flowers as social sculpture in New York City.
Descriptors: Horticulture, Photography, Visual Aids, Artists
Rosenfeld, Malke; Johnson, Marquetta; Plemons, Anna; Makol, Suzanne; Zanskas, Meghan; Dzula, Mark; Mahoney, Meg Robson – Teaching Artist Journal, 2014
Writing about the teaching artist practice should mean writing about art making. As both teacher and artist, the authors are required to be cognizant of their own art-making processes, both how it works and why it is important to them, in order to make this process visible to their students. They also need the same skills to write about how and…
Descriptors: Art Activities, Art Education, Writing (Composition), After School Programs
Rosenfeld, Malke; Rufo, David; Makol, Suzanne; Greco, Ardina; Flores, Chio; Redman, Jeff – Teaching Artist Journal, 2014
The last two sections (EJ1039315 and EJ1039319) presented stories about specific moments or lessons. Also, situations infused with complexity where the writers had to toggle back and forth between providing the larger context and the details that support readers' understanding of that big picture were presented. In this section each story is…
Descriptors: Art Education, Writing (Composition), Creativity, Studio Art
Houlihan, Elena Hiatt – Teaching Artist Journal, 2005
This article describes a school residency project which balloons in complexity, difficulty and meaning--making the incomprehensible tangible. The project had started in the spring of 1996, when the social studies teacher of Community Day School in Pittsburgh, Pennsylvania, Mr. Bill Walter, wanted the students to understand the enormity of the…
Descriptors: Sculpture, Jews, Day Schools, Artists
Asher, Rikki – Teaching Artist Journal, 2004
Abstract visual art is not for everybody. Some people find it threatening, uncomfortable, and often, inaccessible. Understandably, this can result in a lack of attention paid to nonrepresentational works of art in the visual arts curriculum. This article describes an experiential, hands-on, field trip that sought to demystify abstract sculpture,…
Descriptors: Sculpture, Art Education, Field Trips, Art Appreciation