An art project that sought to close the gap between youth and maturity, artist and non-artist, using paintings to make statements on social concerns, is discussed briefly. (DB)

As a result of the activities described here, that of making silhouettes, the students seem to come to know themselves a little more and teacher and students better understand the individual human needs and diversity within the class. (Author/CB)

Mayor of Baltimore states need to integrate art with environment. (SP)

An art class that emphasizes self-direction and a questioning approach by the students is described. (DB)

Article showed students creating paper collage in meeting the art challenge to explore and to work creatively with familiar and freely available material. (Author/RK)

Maintains that expense and lack of experience with glazes and firing the kiln need not prevent teachers from using clay in the classroom. Describes how author experimented with clay and fibers and subsequently devised numerous art activities for elementary school students. (KM)

Describes how artists' styles, images, and methods can express their cultural heritage, cultural influences, life experiences, and memories. Uses Romare Bearden's (1914-1988) collages and photomontages as examples. Suggests some collage activities for elementary and high school students based on their own life experiences. (KM)

Describes a self-portrait unit for middle school students using collage. Students draw silhouettes and then fill these in with cut-out magazine images reflecting their personalities. Encourages students to be inventive. The college background also reflects their personality. (KM)

After viewing and discussing slides of Van Gogh's and Munch's paintings and studying the principles of color, middle school students had to execute two drawings, one showing any emotion and the second depicting an expressionistic self-portrait. (RM)

Describes methods of introducing ceramics to preservice teachers, emphasizing creativity and enjoyment rather than skill building. Maintains that these methods are less intimidating for new students and that they will encounter the necessary skills while being creative. (KM)

Describes how the Ohio Department of Education developed its art curriculum, the Balanced Comprehensive Art Curriculum (BCAC). Going beyond the traditional studio art approach, the program requires students to respond and express themselves in three areas: personal development, artistic heritage, and art in society. (KM)

Describes a cultural arts program of the National Congress of Parents and Teachers (PTA) that encourages K-12 students to explore their thoughts and express them through the arts. The 1988-89 theme was "Proud Experiences," around which students created artwork that depicted feelings of accomplishment as well as national and family pride.…

Describes how middle and high school students can learn the principles of layout and design through calligraphy. Outlines how students selected their own poems and decorations, and discusses how to arrange them before creating the artwork. (KM)

Describes a U.S.-Soviet mural project where citizens from Milwaukee, Wisconsin and citizens from Leningrad created two peace murals--one in the United States and the other in the Soviet Union. The murals were exchanged. Participants made their own clay using dry clay and water before creating their impressions of peace and friendship. (KM)

Describes the artist-in-residence program of the San Diego, California schools and the Maxwell H. Gluck Foundation. This program which serves over 100 schools of many cultures is making its mark on the landscape in the form of site-specific sculptures, earth works, and community-oriented murals. (KM)