This research-to-resource article reports pedagogical implications of several types of research literature. This literature collectively focuses on boys' adolescent development, with specific attention to psychological and sociological implications on the teaching of vocal technique during the period of voice change. From this foundation, the…

This paper reports a study designed to identify the understandings and perceptions of boys enrolled at the London Oratory School about the male adolescent voice change, singing and choral pedagogy. The study took place on the twentieth anniversary of researcher John Cooksey's 1992-1994 study concerning the vocal development of boys at the London…

This article reports analysis of interviews with 85 boys from England, Greece, Ireland and Spain about the voice change, school singing and choral music instruction. Consistent, former and self-described non-singers were included. Data suggest consistency with much of the existing narrative literature about the experience of voice change. Unique…

Choral music teachers simultaneously work toward two potentially competing goals: the quality of the musical performance and the quality of the education they provide for students. Is either goal preeminent, or can both exist in an ever-shifting balance? This paper highlights how this conundrum has existed since the emergence of North American…

The persistence of young men in choral singing activity has been widely studied in North America, with emerging parallel research in Europe (Freer, 2013; Harrison & Welch, 2012). There has been little such research in Asia. This study, of 12 young men enrolled in Singapore's pre-university schools, collected both written narratives and drawn…

Music education researchers have a lengthy history of examining reasons why individuals seek participation in musical activities. Within that history, however, the concept of "possible selves" (Markus & Nurius, 1986) has received little attention until recently. In the broadest terms, possible selves are a person's impressions of what they might…

The purpose of this study was to investigate the relationship between teacher language use and student quality of experience during choral rehearsals. Particularly at the middle school level, few data exist about the ways in which instructional discourse during rehearsals affects student experience. Existing research suggests the use of…

Because there are hundreds, perhaps thousands, of honor choir events each year across the United States, most choir directors will likely be invited to conduct an honor choir at one point or another. Additionally, many conductors will work with honor choirs at the city, municipal, and county levels. Still others will work with ensembles from…

Since 1914, "The Music Educators Journal" (MEJ, initially the "Music Supervisors' Bulletin" and then "Music Supervisors' Journal") has served the music education profession by providing a platform for the broad dissemination of philosophy, practice-based techniques, research implications, and reports of the efforts of MENC: The National…

The stories of three high school boys about their experiences in school-based choral music provide the framework for a discussion of the role music educators can play in retaining male singers. The "possible selves" construct (Markus & Nurius, 1986) is explored alongside research-based implications about specific steps toward developing boys'…

The purpose of the study reported in this article was to investigate the instructional discourse of two middle school choral music teachers videotaped during a total of 24 classroom visits. The findings indicate that teacher attention to complete sequential units of instruction (teacher presentation, student interaction, teacher feedback) may…