Music, especially singing with others, is a highly emotive experience and has been a core of an early childhood education philosophy that has promoted a social image of the child, where children are portrayed as competent communicators, individuals with rights and members of a community. How children think and learn has been an on-going emphasis…

Numerous studies have demonstrated the substantial advantages of integrating music education into the overall development of students, particularly in early childhood education. This integration allows for combining music education with various curriculum areas, utilizing its playful and motivating nature as a practical methodological tool for…

A single session of vocalizing through a straw (straw phonation) has been associated with consistent or increased acoustic output and chorister-reported improved choral sound and vocal efficiency. Some choristers, however, report discomfort from the intense pressure of vocalizing through a stirring straw (2.5-3.0 mm opening). It is unclear whether…

The purpose of this study was to examine what effect performer's bodily movement may have on listeners' (N = 103) perceptions of a choral ensemble performance. A 34-voice choir was audio/video recorded performing two different musical excerpts. Each excerpt was recorded twice, once with movement and once without movement, for a total of four…

Authentic context learning (ACL) experiences have proven beneficial to preservice music teachers in a variety of ways and settings. While research specific to ACL within instrumental and choral music contexts is extensive, there have been no investigations of ACL in an applied voice setting. The purpose of this study was to investigate six…

Our research evaluates the effectiveness of a community musical learning exchange (MLE) that included group singing, guided conversations, and reflection. The respondents (N = 290) who participated in the MLE included members of the Soweto Gospel Choir (n = 17), Soweto Gospel Choir Crew (n = 3), prison choir incarcerated singers (n = 41), prison…

As the main way of inheriting traditional Chinese art, oral and heart-to-heart teaching (OAHTHT) has survived in all kinds of art inheritance activities. However, the existing literature fails to provide a clear explanation of the applicability and evolution of OAHTHT in contemporary school music classrooms. This article reports on a project of…

The purpose of this study was to examine the influences of facial expression and conducting gesture on perceptions of choral conductor and ensemble expressivity. College musicians (N = 156) viewed excerpts of two choral conductors who had been recorded conducting with either an expressive conducting gesture and a neutral/static face or an…

Children's informal music-making has been studied in a variety of contexts outside of school, but few researchers have examined this type of learning in elementary music classes. The purpose of this phenomenological inquiry was to explore the lived experience of 13 children with informal music learning in an elementary school in the U.S.…

Sight-singing and musical dictation are considered as complementary activities by different Ear Training pedagogues but, surprisingly, studies conducted with participants working individually were not able to find benefits of singing associated with dictation taking. This pilot study aims at observing the effect of a sight-singing, performed…

This paper discusses the development of music lessons for adults in a non-professional choir. Based on the Kodály Concept, the lessons took place from April 2019 until March 2020. The singers and conductor engaged in shared research practices, tracking teaching and learning experiences through journaling and sharing our writings. Through this…

This study investigated the integration of loose parts into preschool arts education to enhance children's learning experiences, particularly within in-between spaces and centered around music, combining visual arts and dramatic play. Conducted as a case study in a Taiwanese private preschool, the research explored the use of loose parts in art…

The purpose of this phenomenological study was to investigate the religious development, life experiences, and perspectives of six atheist high school choral music teachers on their current attitudes about performing sacred choral music within the public school education system. Six atheist choir directors participated in eighteen semi-structured…

The purpose of this case study was to evaluate the elementary general music education majors' perceptions of preparedness, interest, and comfort with the choral skills presented in a choral methods course. Thirty elementary general music education majors (N = 30) enrolled in a choral methods course responded to a pre- and post-course survey.…

To sing while taking melodic dictation is a strategy employed by some Ear Training students as an aid, but there is a disagreement among the literature about its efficiency. Thus, it is important to disambiguate this question examining the contributions related to vocalization. The purpose of this research is to investigate the influence singing…