Our research explores the meaningful writing experiences of 325 undergraduate students who self-identify as multilingual. Through qualitative coding of open-ended survey data, we found that respondents considered their writing meaningful when it allowed them to make personal and relevant connections and learn new skills and strategies. Our…

Process-based composition pedagogy has ignored the question of "doneness": the criteria used to decide when a piece of writing is complete. This article uses survey results from first- and second-year composition courses to challenge common beliefs about how students determine when writing assignments are sufficiently completed. We find…

This collaborative project explores the affordances of a translation assignment in the context of a learner-centered pedagogy that places composition students' movement among languages and cultures as both a site for inquiry and subject of analysis. The translation assignment asks students to translate scholarly articles or culture stories from…

This paper considers the use of a simple assignment, the personal narrative, in teaching students the discursive issues involved in doing academic history. Focusing on autobiography, I present the results of a survey of Canadian university students into their experiences with writing personal histories. Specifically, the survey asked students to…

Research across disciplines in recent years has demonstrated a number of gains involved in community engagement and service-learning pedagogies. More recently, these pedagogies are being filtered into digital contexts as instructors begin to realize the opportunities made available by online writing venues. This presentation describes a specific…

Participation, a commonly graded component of composition classrooms, is rarely the focus of current research studies. While some discussions have addressed grading practices or ways to increase participation, student and instructor voices have yet to be included in studies of classroom participation in composition courses. Yet these voices are…

Considers how over 10 years of teaching first-year composition, more than two-thirds of the authors' students have elected to write about things that have caused them sorrow, about the deaths of loved ones, about the deaths of neighbors, even of hope itself. Composes a set of "meditations" - brief essays in which the authors try to understand…