Collaborative learning is something that all students will employ once they finish their formal education, and while it isn't something that can be objectively tested by standardized exams, it is something that can be taught. Learning to work in groups is simultaneously a way of learning and a skill worth learning. Teachers should acknowledge that…

As an educator, the author learned that her job was not simply to teach the fundamental concepts of literature and writing, but also to teach students the fundamentals of conversation and collaboration. In this article, the author shares her experience in using traditional, teacher-centered methods to inspire spirited conversations among students…

Textbooks and grammar worksheets do not adequately convey to students how readers or listeners are shaped by the language of the writer. The best way to help students understand the emphasis of a dash or another device is to see one used during a suspenseful moment in a dramatic selection. It is up to the teacher to select dramatic works that…

Students in Ginger M. Eikmeier's high school classes link themes and terms from their readings to episodes of "The Simpsons." Because students are already familiar with "The Simpsons," Eikmeier believes that using the show supports students' comprehension and retention by activating prior knowledge. Additionally, it shows students that she cares…

Recounts the diverse reactions elicited by a college writing teacher when he asked his students to compose using his copy of Keats' life-mask as a resource. Discusses how the life-mask acted as a stimulus, turning in-class writing into an exciting and useful composition experience. (NKA)

The preservice teachers from all disciplines will be benefited if they incorporate reading in their classes according to Dr. Louise Rosenblatt's reader-response theory. A teacher's experience with her students while reading Chris Crutcher's "Staying Fat for Sarah Byanes" in the Secondary Content Area and a student's response on the novel are…

Describes how a teacher found literature for Upward Bound students. Presents Geoffrey Canada's "Fist, Stick, Knife, Gun: A Personal History of Violence in America" as a nonfiction work to provide clarity and connections that might not have been available in a fictional work, yet it had elements of literary fiction that made the text…

Describes the author's success in using a soft sell" approach to stimulate reluctant high school students' interest in reading. (JB)

Suggests three techniques for expanding the range of students' responses to literature. (DD)

Argues for the use of nonfiction in classrooms. Presents three passages from sources usually far removed from the typical secondary language arts classroom to help make the point. Concludes that just as the study of fiction, drama, and poetry help students explore their thoughts and feelings, nonfiction can offer a reality check with which to…

Reviews research on how students' response to literature is influenced by teachers' questioning patterns and by students' personalities, cultural backgrounds, cognition, and growth and development. (DD)

Describes how to develop a Likert-scale instrument for determining affective response to poetry on five levels. (DD)

Since one of the teacher's primary aims is to build a student's confidence in his own ability, teaching poems which are lyric and readily accessible is a good way to begin a poetry unit. (Author/RB)

Student response should play a greater role in the study of literature. (DD)

Describes 13 nonfiction works and the reactions of students to those works. Argues that nonfiction can entice readers into narratives of lives and events as intriguing as any work of fiction. (RS)