Studio Thinking 3 is a new edition of a now-classic text, a research-based account of teaching and learning in high school studio arts classes. It poses a framework that identifies eight habits of mind taught in visual arts and four studio structures by which they are taught. This expanded, full-color edition includes new material about how the…

Designing an art curriculum that emphasizes authentic artmaking, empowers students, and elevates their voices--requires rethinking the way that art educators teach. Art educators must develop curriculum and instruction that embodies three key concepts: (1) inspire student thought; (2) assess students in ways that encourage artistic growth beyond…

In the studio, there are routines and rituals to be observed. One of those is making gesso. The quantities change each time and the ingredients vary, but the mechanical process remains the same: soak rabbit skin glue for 3 hours, double burner melt the glue, sieve in champagne chalk whiting, stir slowly, and tap the sides to remove air bubbles.…

Based on two years of ethnographic engagement in a school-based digital design studio in a high school on the West Side of Chicago, Illinois, this paper conceptualizes the development and maintenance of an ethos of care in teaching and learning through "sustaining affective resonance." Adopting musical metaphors as a vocabulary for…

Background: In studio art, students are expected to be highly agentive--to engage in creative processes to form personalized representations of ideas, yet we lack knowledge on how teachers support their agency. Approaching agency as co-constructed practices across temporal dimensions, we examine how teachers shift between autonomy-supportive and…

Based on the learning outcomes, values, skills/proficiency and job safety for grades 6, 7 and 8 from the 2017 Visual Arts Course Curriculum (MEB, 2017), outcomes related to three-dimensional work have been associated with care, love, responsibility and inquiry and activities "My Money", "Abstract Sculpture" and "Talking…

In this article, Chelsea Odden describes a unit she designed for her advanced drawing course that integrated reflection strategies at various points, creating opportunities for students to reflect on their artmaking more often and in different ways (Hetland, Winner, Veenema, & Sheridan, 2013). Designing the unit with several different…

Art's capacity to foster metacognition puts art education in sync with general education where understanding and monitoring one's thinking are acknowledged to be essential to an individual's success in school and life (Kolencik & Hillwig, 2011; McGuire & McGuire, 2015; Silver, 2013). The mindfulness inherent in metacognition also connects…

Founded in 1997 by a small group of high school and college students, New Urban Arts is the largest high school afterschool arts program in Rhode Island. New Urban Arts is an independent nonprofit, not affiliated with any larger institution. The mission is to build a vital community that empowers young people as artists and leaders to develop a…

The Lyceum, implemented by Guilford County Schools (GCS), was an arts education program designed to promote arts integration for all GCS students and exposure to Entertainment Arts & Technology for students at Penn-Griffin School for the Arts. The Lyceum impact evaluation used a quasi-experimental design (QED) to examine the effect of…

This resource describes how one art classroom used "everyday labor" as a topic to connect artmaking to community workplaces. The work of Theaster Gates, Faith Ringgold, Jacob Lawrence, Jeremy Deller, and Adrian Piper are suggested to stimulate class dialogue about work, labor, and jobs. The author invited members of their farming…

Teaching complex studio processes requires methods beyond linear step-by-step instruction and methods more consistent with authentic studio practices. Instructors have to be able to deconstruct their own decision-making processes, processes that have become somewhat automatic through experience, and then use this insight to anticipate how learners…

This article describes a peer teaching experience that resulted from the authors' collaborative planning to engage classes in a learning event where older, advanced high school art students would teach an artmaking lesson and lead an art gallery discussion. Observing students in the classroom led the authors to see first-hand how students…

The "Beyond Perceptions" collaborative visual art project, an ongoing initiative by the Indianapolis Art Center, provided opportunities for high school students to engage with homeless individuals through partnerships with people and organizations in the community who serve this marginalized group. These experiences challenged…

Background/Context: Though the maker movement has proliferated in out-of-school settings, there remains a design challenge of how to effectively integrate maker activities into K--12 classrooms. In other contexts, though, creative design and production have historically been successfully integrated in classrooms through studio models common to the…