Seeks hard evidence from high school art teachers that a studio curriculum promotes global understanding and appreciation of artwork, including historical art. Indicates that studio experiences alone do not enhance students' ability to understand or appreciate well-known historical artwork but that including critical and historical inquiry…

Investigates the educational background, educational needs, and scheduling preferences of art teachers in order to shape a graduate art education program. Finds that 67% do not have a master's degree, 55% are interested in getting a masters, 62% prefer evening courses, and more teachers are interested in studio art courses. (CMK)

Examines values inherent in qualitative assessment techniques of studio art programs in high schools. Focusing on advanced placement, Arts PROPEL, and International Baccalaureate programs, data were generated from criteria for assessment as outlined in the literature and curriculum materials. Identifies common themes and differences and includes…

Presents a qualitative study of the sociocultural teaching and learning system involved in an introductory direct metal-sculpture studio class. Discusses the cognitive, affective, and physical processes that take place through the social exploration of material, form, and concepts. Includes a graphic model of the learning process. (MJP)