Most Chinese characters comprise radicals that are embedded in a specific structure (e.g., left-right structure like [Chinese characters omitted], or top-bottom structure like [Chinese characters omitted]). We investigated the representations of word-form units (i.e., radicals) in planning Chinese handwritten production. Adopting the picture-word…

Research on alphabetic reading presents conflicting findings concerning the timing of orthographic and meaning processes in reading morphologically complex words. Chinese characters offer distinct visual cues for morphemes, enabling straightforward manipulations to examine orthographic and meaning processes. Guided by the Character-Word Dual…

While previous research has documented the unique aspects of Chinese dyslexia as compared to dyslexia in alphabetic scripts, it remains unclear whether the difference in Chinese literacy experiences influences the manifestation of Chinese dyslexia. The present article first reviews the characteristics of Chinese languages and scripts, including…

The pedagogical and theoretical questions addressed in this study relate to the extent to which native Japanese readers with little or no knowledge of Chinese characters recognize Chinese characters that are viewed as abbreviations of the kanji they already know. Three graphic similarity functions (i.e., an orthographically acceptable similarity,…

Examination of the simplified characters adopted in the People's Republic of China shows that all such characters have been created based on phonetic, graphic or semantic principles. This paper discusses phonetic simplification and lists characters followed by their simpler forms. (CHK)

Standard or enhanced Blissymbols, designed to represent familiar actions, attributes, and objects, were shown to 20 3 year olds, who guessed their meaning. The number of their guesses that referred to the enhancements was twice as great as the number that referred to the standard Blissymbol base. (Author/JDD)

An elementary teacher investigates a way of telling a story using only pictures. In another article (EJ 527 113) this teacher and his students considered how our writing system uses letters to stand for sounds or groups of sounds, experimenting with Kiowa picture writing. (Author/RK)

Describes various distinctively shaped clay tokens used in western Asia centuries before the Sumerians invented writing. These tokens appear to have served as a basis for Sumerian ideographs. ( MA)

Reviews an archaic system of notation using tokens that is the direct progenitor of Sumerian writing. (HOD)

Describes the historical approaches to the decipherment of ancient Maya writing. Asserts that Mayan hieroglyphics are recognized as true writing because they represent the sounds and structure of spoken language. Discusses the history of Maya hieroglyphic writing and how it was used in that civilization. (PRA)

Presents ideographic selections and class exercises from a Chinese first grade primer. Explanations in English are included. (Author/DB)

This paper compares the simplified characters of China, Japan and Singapore, based on China's list of 2295 simplified characters. Charts summarize the comparisons by numbers of characters in each country, and a comparative table lists and illustrates simplified characters in these countries. Taiwanese forms are summarized separately. (CHK)

States that iconographic investigations of Olmec style art works have produced convincing evidence that rulership during the Early and Middle Formative Period of Mesoamerican prehistory was publicly legitimized by a visual charter. Shows that the charter's naturally derived symbols functioned within a system which stressed the human ruler's access…

Offers an overview of Later Formative period writing in Mesoamerica, and discusses recent findings. Asserts that analysis of the iconographic context of the script reveals considerable interdependence between text and context and provides a glimpse of the importance of cosmological considerations in the display of power. Discusses the importance…

Summarizes the nature of the pre-Hispanic pictorial communication system used by the Mixtec people of Mexico, who were creating manuscripts in which they recorded their histories, genealogies, and religious beliefs long before the Spanish reached the New World. Explains and illustrates the principal pictorial conventions. (PRA)