This article makes two points: (1) that isochrony, the rhythmic organization of speech into more or less equal intervals, is primarily a perceptual phenomenon; and (2) that there exists a way in which isochrony is integrated into the grammar of English at the syntactic level. (Author/CFM)

Presents a description of the syntax of prepositional phrases and adjectives in postnominal position in French sentences. (AM)

The form of the print poetic line is partially determined by the expectations of the potential readers since authors, as participants in the common literary heritage of their culture, make use of the common expectations of that literary heritage. As a test of this hypothesis, one poem by James Dickey and one by Ted Olson were printed as prose, and…

Argues that intonation is best analyzed as an overt marking of the focus structure of a sentence. The linguistic level of f-structure in which both topic and focus are identified provides the link between context, interpretation, syntax, and intonation. (Author/VWL)

Discusses comparative analysis of spoken and written versions of a narrative to demonstrate that features which have been identified as characterizing oral discourse are also found in written discourse and that the written short story combines syntactic complexity expected in writing with features which create involvement expected in speaking.…

The study found that intonation or melody pattern contributes to reading comprehension ability. (JH)

A sentence-reading procedure was used to study the influence of syntactic structure on the timing of syllables in speech production. The study was designed to test whether syllable lengthening might be sensitive to the distinction between surface and underlying structure. (Author/RM)

Cites examples of surprise combinations of words that give sudden pleasure to a listener or reader.

It is frequently observed that modern English has a fixed word order. Therefore, the English speaker is locked inside a syntactic system which leaves him few expressional options. The author disagrees and suggests that because of options of word order, the English speaker can impose his own level of meaning on his utterances. (Author/RR)

Research is reported in which subjects were required to perceive sentences in noise. A series of sentences having the same syntax and rhythm was presented. On a final sentence either rhythm alone or rhythm plus syntax were changed. The results stress the importance of rhythm in speech perception. (Author/RM)

Examines the rhymes and linguistic tricks used by children, focusing on the rhyme, syllable structure, word boundaries, rhythm, meaning, and social uses of school children's poetry and rhymes. Examples are provided of various past and current poems and rhymes. (Contains 10 references.) (MDM)

American Indian narrative uses a rhetorical conception of narrative action, following one of two basic types of recurrent formal pattern of lines and verses and sets of verses, in pairs and fours or threes and fives, using pauses and/or syntactic particles to define the patterning, varying between different languages. (MH)

Certain apparently deviant, inverted forms of the French imperative (e.g. "pas touche!" for "ne touche pas!") are analyzed. A number of phonosyntactic explanations that focus on phonological order, rhythm, and intonation are examined. The strength of the imperative intention is also considered. (MSE)