A rationale for the multidimensional approach to giftedness is presented, and creativity in the multidimensional model is examined. Several conclusions about the assessment of creative talent are made, along with thirteen specific recommendations. Some continuing problems in the area are discussed, along with needed research. (DLS)

The article lists and briefly describes 78 noncommercially available instruments useful in studying and measuring creative behavior and creative talent. In addition to a brief description of the instrument, each entry lists the author(s) and the journal or publication reporting on the instrument. (DLS)

A study of 115 undergraduate psychology students was undertaken to determine (1) if the average college student could fake the response pattern of a highly creative person or an uncreative drudge, (2) if a social desirability scale could detect fakers, and (3) if high creativity is fakable, whether positive traits are more easily faked than…

Validation studies of the initial group inventory for finding interests (GIFFI) I and II were carried out with 1,024 students (grades 6-12). Internal consistency, reliability, and validity of the scales, which measure personality and biographical characteristics associated with creativity were substantiated. (CL)

In the first study of the term "genius", 349 undergraduates nominated three geniuses in 1984, 1991, 1993, 1994, and 1997. Einstein was regarded as a stereotypical genius, while other nominees were subjective and transitory. In the second study, nominated geniuses were agreed to on only 26.2 percent of possible occasions. (Contains…

Discusses the different characteristics that are often lumped together under the multidimensional term "giftedness." The origins of the term, the contributions of individual psychologists and others in identifying gifted students, and the life outcomes of mathematically and/or verbally precocious youth identified by talent searches are examined.…

The paper describes methods of identifying giftedness, instruments for assessing creativity, and the need for a single measure of many different kinds of talent. Development of the Khatena-Morse Multitalent Perception Inventory, which identifies talent in the areas of art, music, leadership, and creativity, is discussed. (JDD)

It is concluded, among other things, that although GIFT criterion related validity is modest, it predicts creativity about as well as other more complicated instruments, and its reliability is much better than teacher ratings or nominations; and that it also appears to have international and cross cultural face validity. (DLS)

Research findings on the measurement of creativity in young children are reviewed, focusing on construct validity, relationship between response quality and quantity, and situational factors affecting scores. The article concludes that creativity is measurable in young children, but current methods rely on inappropriate unidimensional forms of…

Responding to a definition of creativity, 449 Chinese language teachers identified imagination foremost, followed by inspiration and original ideas as a component of effective writing. Teachers identified developing student confidence and providing an open atmosphere as essential means of fostering creativity. The majority of teachers, however,…

Comments on "Varieties of Intellectual Talent" (Julian C. Stanley), that discusses characteristics of giftedness and ways of identifying gifted students. Topics explored include the five different forms of giftedness, the roles of domain and field, the ubiquity of environmental and cultural factors, cross-cultural conceptions, and potential…

The subjective judgment of observers was used to assess verbal creativity. Students, aged 5-10, told a story to accompany a picture series. Teachers rated the stories relative to one another. Interjudge reliability of the creativity measure was highly satisfactory. Two subsequent studies affirmed the results, with slightly lower interjudge…