Epideictic rhetoric reifies and reshapes the shared values of a community, and in this article, I reread William E. Coles Jr.'s "The Plural I" as showing forth a classroom built upon epideictic rhetoric, his own epideictic pedagogy asking that teachers of writing engage student work not expecting to be persuaded but as observers of…

Building on studies of alternative rhetorics, this article envisions personal writing pedagogy as a relational endeavor that fosters rhetorical alliances among disparate communities. I detail a particular course design through which "personal reflection" becomes a means of enacting more radical forms of belonging.

This article outlines a three-part pedagogy capable of responding to the risks, rewards, and headaches associated with public rhetoric and writing. To demonstrate the purchase of this pedagogy, I revisit one of the oldest and most misunderstood public rhetoric and writing assignments: the letter-to-the-editor assignment.

Creative writing workshops typically feature a gag rule and emphasize purported flaws. This structure limits students' meaningful engagement with each other's work; positions the author as inherently flawed; and positions other participants as authority figures, passing judgment without articulating their aesthetic standards. I propose an…

While writing pedagogy instructors assign their students a range of writing tasks, often as central or repeated features of the course, a crucial question has not yet been addressed: does it matter what new teachers write? If pedagogy students are being assigned writing in part to further develop their attitudes and practices related to teaching…

In this essay I present the results of a national study of over 2,000 writing assignments from college courses across disciplines. Drawing on James Britton's multidimensional discourse taxonomy and recent work in genre studies, I analyze the rhetorical features and genres of the assignments and consider the significance of my findings through the…

Presents a title-writing exercise which can be completed in class in 20 to 30 minutes. Asserts that the exercise works for many writers as a strategy for focusing and developing. (PRA)

Discusses a process to guide students at various levels of writing ability to inquire into unfamiliar and often intimidating subject areas. Notes the process is based on a Piagetian learning cycle that asks students to identify areas of cognitive dissonance, and to engage in a conversation about ways of resolving their uncertainty. (RS)

Presents two journal exercises teachers can use to help their students develop and apply their cognitive skills. Asserts that the exercises help students to integrate what many consider to be dichotomous and frequently contradictory activities--feeling and thinking. Cites G. Lakoff and M. Johnson's "Metaphors We Live By" for the theoretical…

Describes the activity of soliciting material for and publishing a student-generated literary magazine. Demonstrates the ways in which the magazine was later used by various teachers for their class activities. Argues for the benefits of publishing student writing. (HB)

Examines questions concerning the assignment of autobiographical essays. Discusses the links between gender and genre. Argues that writing teachers should reexamine their assumptions about "good" autobiographical writing and acknowledge the links between gender and genre. (MG)

Describes a strategy designed to encourage critical thinking by assigning students to research and write about complex topics. Argues that the instructor's inclusion of both supporting and challenging end comments can encourage critical thinking. Provides examples of both types of comments. (SG)

Describes a writing assignment that requires students to research and report on what it would be like to live on minimum wage. Explains that this assignment is not really any different than the traditional assignment, it is simply more obvious about its political content because it involves an inquiry into economics rather than literature or…

Describes a method of teaching writing founded on a concept of response papers based on the strong emotional reactions of students to assigned texts. Gives examples from several student papers, highlighting typical kinds of response. Argues for the response paper as a site for safe thought concerning difficult issues. (HB)

Suggests that using sociolinguistics as the subject of a semester-long course leads to real and exciting research rather than technically correct but lifeless "dummy runs" for real research in freshman composition courses. (MG)