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Nash, Brady – English Teaching: Practice and Critique, 2018
Purpose: This paper aims to explore recent research (2007-2017) on the implementation of multimodal writing instruction in secondary English courses. It seeks to highlight the varied ways in which theoretical conceptions of multimodality have been implemented in writing instruction and the impacts of these implementations on students' experiences…
Descriptors: Writing Instruction, Secondary School Students, Teaching Methods, English Instruction
Lee, Hsiao-Chien – English Teaching: Practice and Critique, 2014
The theory of learning multimodality is receiving greater attention. Its application in language learning classes is also increasing in number. Since Chinese-speaking EFL learners are likely to be visual learners, as an instructor of Taiwanese EFL students, I have come to believe that arts integrated, multimodal projects help less confident and…
Descriptors: English (Second Language), Second Language Instruction, Learning Modalities, Art Activities
Xerri, Daniel – English Teaching: Practice and Critique, 2012
This paper examines the place of poetry writing in the post-16 English curriculum in Malta. In presenting the results of a small-scale study adopting a mixed methods approach, it explores the views of teachers, students and an influential examiner. The paper proposes that while there seems to be an appreciation of what creative writing can…
Descriptors: Poetry, Foreign Countries, College Students, Writing Skills
Knight, Assunta – English Teaching: Practice and Critique, 2009
The context for this teacher narrative is a multicultural South Australian secondary school with over 50 nationalities represented, where many of the older students are disengaged from English. A transformative moment for the writer occurred following research for here doctoral thesis, which unexpectedly challenged her thinking about the English…
Descriptors: English Curriculum, Student Participation, English Instruction, Secondary School Teachers
Leggo, Carl – English Teaching: Practice and Critique, 2006
I invite and encourage students to take risks in their writing, to engage innovatively with a wide range of genre, to push limits in order to explore creatively how language and discourse are never ossified, but always organic, how language use is integrally and inextricably connected to identity, knowledge, subjectivity, and living. Informed by…
Descriptors: Poets, Poetry, Postmodernism, Writing (Composition)