Although secondary school teachers have long been aware of the pedagogical possibilities of Louise Rosenblatt's Reader Response (articulated first in "Literature as Exploration," 1938) and I. A. Richards' Close Reading (first broached in "The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of…

Presents guidelines for introducing secondary students to "King Lear" before and during engagement with the text. Includes providing opportunities to (1) improvise, (2) examine specific speeches in depth, and (3) speed write about a character's thoughts. Presents questions used during auditions and explanations of characterization in…

Provides a personal narrative of how one Shakespearean teacher-actor was "remade" through specific experiences. Claims that students must perform at least some Shakespeare in order to experience personal and social enrichment. (NH)

Aims to help teachers find a way to help students enjoy Shakespeare through the process of performance. Provides guidelines gained from personal experience for teachers presenting the plays with secondary students that include the following: (1) audience consideration, (2) actor-ownership of the performance, (3) staging limitations, and (4)…

Offers an overview of contrasts and similarities in various approaches to Shakespeare studies. Discusses how a shift in perspectives from grappling with tragic moral themes to examining aesthetic and semantic complexity represents a productive way to respond to Shakespeare. (NH)

Outlines a unit of study of Baz Luhrmann's 1997 film version of "Romeo and Juliet" for Year 10 students in Australia. Includes a series of lessons/questions and activities that include directing students (1) to consider speed and editing and character analysis; (2) to engage in language comparison; and (3) to generate extended responses.…

Relates the implementation of a literature program for students in grade six based on reader response theory. (HOD)

Argues that creative writing in schools should be considered as the writing students do that approximates forms of literature--literature being a broad discourse term for a number of genres, but especially the narrative and the lyric. (HOD)

Argues that when involving students in activities that require them to explore texts creatively, teachers should also make them inquire into their own reading processes--especially since the reading of literature helps the students to become aware of their own intellectual process if attention is focused on them reflexively. (HOD)

Reports on teacher responses to a questionnaire that sought information related to teaching features such as syllabus, book selection, teaching/learning goals, preferred class activities, questions asked during discussion, methods of assessment and arrangements for remedial readers. (HOD)

Presents a study of students in Australia, Canada, and England and examines grade nine students' written responses to writing over a two year period and their opinions of the books they read. Suggests that for students of that age, creative written responses to writing are the most imaginative. (JC)