This essay uses the metaphor of "savvy travelling" to discuss the limitations and problems associated with three current "best practice" approaches to the reading of literature in upper grade levels, particularly in the United States: close reading, response-based reading, and disciplinary literacy. A "savvy" approach…

Teaching and reading literature are commonly viewed as contributing to the cultivation of empathy. This article presents critical and pedagogical approaches to test this view and suggests a distinction between low-level, simple empathy inspired by the reading and teaching of "The Tortilla Curtain" and a more complex, self-critical…

Literary criticism of children's literature asserts a one-directional view of power with the adult writer constructing the child reader. Using "aetonormativity"-- adult perceptions of normality -- this paper explores what happens when children co-construct publishable fiction. Our analysis of drama and creative writing workshops shows…

School examinations of student responses to literature often present poetry blind or "unseen", inviting decontextualised close reading consistent with the orientation-to-text associated with Practical Criticism (originating in the UK) and New Criticism (originating in the USA). The approach survives in the UK after curricular reforms and…

This article will discuss my often challenging transition from radical political poet to full time poet teacher in a Roman Catholic secondary school. Can the counter-cultural art form of spoken word education thrive within the institution of school? By looking at classroom and after school experience, student poems and relevant theory, the paper…

Article shows how the work of an English teacher can be seriously compromised by the power of a particular school organization. (Author)

Suggests that the analysis of literature leads to an increased understanding of the environment in which we live. (RB)

Examines the textbooks currently available to secondary teachers of English as sources of materials, ideas, and activities. (RB)

Outlines how one poem is used as the focus of a sixth form critical appreciation lesson and as a work of art to be responded to in its own right. (Author/RB)

Reports on ways in which an undergraduate English course can be structured to invite wide-ranging forms of response. Describes how this was done through an expository reading and writing course based on rhetorical modes and noncanonical texts. Claims that student satisfaction and achievement were excellent. (HB)