Suggests that teachers attempt to have children write poetry that deals with the senses. Develops lessons to demonstrate to students their own potential for writing poetry. (MS)

Suggests that if students are to become comfortable enough with poetry to freely write about it, they must first discover the poetry in themselves. Offers a composition-poetry method that allows students to experience poetry, analyze their writing processes, and synthesize all the information gained from doing and analyzing. (MS)

Describes a sequence of writing exercises that synthesizes current work on expressive discourse, learning theory, and classical exercises of the kind that are represented in Quintilian's progymnasmata. (HOD)

By focusing their attention closely on a written text, cloze passages help students learn more about how language works--the interaction of vocabulary and syntax, the influence of diction on style, the important grammatical relationships between words in a sentence, and the logical relationships between sentences in a paragraph. (HOD)

Explains how a writing course with lyric poetry as its subject matter, when designed according to cognitivist principles, provides an environment in which students can grow as writers and also mature in their ability to respond to literature. (HOD)

Noting that students in groups learn more effectively when working cooperatively than when working competitively or individualistically, presents guidelines, assignments, and class activities designed to foster cooperative learning. Describes such student-student interaction sessions as describing sense perception details, receiving peer feedback,…

Posing as an avuncular letter writer, the author discusses the problems faced by first-time teachers teaching fourth-grade composition. Proposes exercises to motivate children to write, communication inspiring ways to arrange classroom environment, guided free-writing assignments, and heuristics prompts for writing a fairy tale. (JG)