In recent years, composition teachers and scholars have noted that multimodal technologies have changed the landscape of the first-year college writing classroom, causing many to consider the relevance of integrating these tools into the writing curriculum. While some suggest that it is important to teach students to write with a variety of…

A growing literature suggests that there is a disjuncture between the instructional practices of the education system and the student body it is expected to serve, particularly with respect to the roles of digital technologies. Based on surveys and focus group interviews of first-year students at a primarily undergraduate Canadian university and…

Peer-response remains a central process in first-year composition; faculty can make it effective and efficient by "spotlighting"--designing the process as digital, emergent, and distributive. In this article, the author first elaborates on his own use of peer-response terminology. He favors "peer-response" as the descriptive term for…

This article presents an exchange between Kip Strasma and Elizabeth Tomlinson. Strasma responds to "Gender and Peer Response" by Tomlinson, and Tomlinson responds to Strasma's ""Spotlighting": Peer-Response in Digitally Supported First-Year Writing Courses." Both of them respond to each other's cross talk.

The marriage of computer-assisted and portfolio-based approaches to freshman composition, while already in place at other institutions of higher education, is a new approach at Middle Tennessee State University (MTSU). Intended as a part of the English Department's ongoing effort to improve the quality of instruction, computer-assisted,…

Discusses revision as a growth-through-change process occurring continuously through all stages of drafting. Describes several ways in which word processing facilitates invention, substitution, reordering, adding, cutting and other aspects of this kind of composing. Offers guidelines for using computers in the writing classroom. (JG)

Addressing a variety of concerns of writing center directors and staff, directors of freshman composition, and English department chairs, the papers in this collection discuss writing center research and evaluation, writing center tutors, and computers in the writing center. The titles of the essays and their authors are as follows: (1) "Narrative…

Discusses a study of the effects of first year composition students' use of a microcomputer as a word processor on the quality of their writing. Compares students who used the word processor with those who hand wrote their compositions, revealing greater improvement among the word processing group, regardless of initial skill levels. (PAA)

Describes a teaching strategy using Apple IIe computers in a sequence of individual conferences. Includes asking questions while scrolling through the paper, showing students how to elaborate ideas by entering suggested changes and prompts in capital letters during the conference, and using a spelling checker to prompt revision (e.g., by compiling…

Describes the use of local area networks (LANs) in basic college composition instruction. Offers examples of interchanges between student writers and peers reacting to compositions. Argues for freer student use of classroom networks in open discourse, as excessive limits on network use eviscerate its potential. (SG)

A protocol study investigated whether computer tutors (programs that interactively guide writers while they freewrite with a word processing program) promote or hinder a richer understanding of the composing process. The analysis focused on writers' attitudes toward computer tutors in the invention process. Data were collected by tape recording a…

Noting that computers have fascinated teachers looking for new and better ways of teaching writing, not because the machines make students into better writers, but because they are useful tools that make editing and revising much easier, this paper explores the use of computers to teach writing, based on the experiences of a writing laboratory…

Poetry was used in a college English class to teach figurative language, connotation, denotation, and the need for close attention to vocabulary. However, students were often bored by traditional poetry. Using computer programs like "Compupoem,""Poetrywriter,""Lifesongs," and "Haikuku," students were introduced to computer poetry and created their…