This dialogue contributes reflections on the "theatre laboratory" to the scholarly debate surrounding methodologies of drama education and applied performance. The co-authors suggest that the experimental and ensemble-led approach of the Samuel Beckett Laboratory, founded at Trinity College Dublin in 2013 as a space for research into…

This article presents a case study of Australian secondary school students as co-creators of a dramatic pre-text, using online and mobile media to develop an improvisation-based drama that introduces a textual study. Integrating recognised dramatic conventions within a digital environment provides the tension, and drives the educational…

Techniques of professional directors can be used in rehearsals to insure a successful school production. (AP)

Describes an eight-step four-week assignment for teaching theater students about blocking and stage directions. Outlines each assignment in detail and provides questions for the students at each stage--from choosing the excerpt or play to staging and directing. (PRA)

Describes an integrated approach to teaching broad-based theatre skills, including script analysis, research, design, directing, and acting. (PD)

Suggesting that improvisation is an invaluable technique that can be used in acting classes and in rehearsals for school, amateur, and professional productions, this book presents 900 improvisation ideas for teachers and directors to use. The first section presents ideas for improvisations on character conflicts, including teen/parent conflicts,…

A University of Calgary seminar in dramatic criticism, intended for advanced undergraduate and graduate students, connects dramatic criticism with actual performance. In the first of a flexible series of units, students explore the meaning of criticism and learn where criticism is found. The second unit focuses on dramatic criticism as a…

This document presents a week-by-week syllabus for an 18-week high school technical theatre course. This course, which may be expanded to one year or reduced to nine weeks, emphasizes having the student learn by doing, so that the teacher eventually becomes freer to concentrate on play-directing responsibilities. The document also discusses the…

Advocates having students stage drama, especially Elizabethan, to discover the production values that add meaning to the text. (CRH)

Utilizing acting as the main teaching method to promote artistic understanding and skills with a focus on the individual, this course guide explores the "process" of theatre. Outlines for student and teacher are provided for each of the five course sections: Discovering an Approach to Theatre, Discovering the Process of Acting, Exploring a Drama…

AN UPWARD BOUND FILM WORKSHOP AT TEXAS SOUTHERN UNIVERSITY EXPOSED STUDENTS TO FILMS AS A CREATIVE ART FORM, A MEANS OF COMMUNICATION, AND A BASIS FOR DISCUSSING VALUES. IN ADDITION TO VIEWING SEVERAL SHORT, PROFESSIONALLY-DEVELOPED FILMS, STUDENTS WROTE AND PRODUCED TWO OF THEIR OWN. ONE STUDENT-PRODUCED FILM--A LIGHT SHOW--ILLUMINATED THE UNITY…

Middle school and junior high school language arts students can receive a basic background in the elements of theatrical production and an appreciation of the theatre arts by producing and performing one act plays. A six- or seven-week unit can progress from the basics of pantomime, reading and vocabulary, and characterization with make-up,…