A growing body of experimental work highlights the potential value of unstructured, interactive, or spontaneous motions, including gestures, dance, shifting body postures, physical object-manipulation, drawing, etc. to favorably impact creative performance. However, despite these favorable findings, to our knowledge, no systematic review has been…

A common approach when teaching about energy in circuits in secondary schools is to treat flowing electrons as carriers of energy from a source to a sink. The paper argues that although this may seem to be a useful model for teaching, it is unscientific and may ultimately be confusing to students who continue to adopt it at key stage 4 and above.…

This paper examines how body movement within the frames of Dalcroze Eurhythmics can facilitate musical knowing. Merleau-Ponty's philosophical ideas seem to correspond with the specific empirical findings of Jaques-Dalcroze. Hence, our viewpoint is based on Merleau-Ponty's notions of "knowing the world through the body" as well as of…

This paper concerns three two-stage experiments the aim of which was to find out whether enactment- and mime-based (E&M) instruction--a key element both of the method known as Total Physical Response and of some less codified instruction at primary level--can be employed in order to help learners: (1) better acquire English manner-of-movement…