Although students and adults alike are constantly exposed to visuals both online and offline, merely being exposed to visuals does not guarantee visual literacy (Kedra & Zakeviciute, 2019). This study explored K12 teachers' perceptions regarding their personal and instructional use of online images as well as the influence of a visual literacy…

University instructors preparing prospective sixth- to twelfth-grade history teachers often realize it can be difficult to condense the extensive information these individuals need for their future profession into one or two courses. Teacher preparation programs are forced to juggle requirements for program accreditation with their ethical…

In the light of a decision taken in April 2009 that the arts will be included in a projected national curriculum it seems relevant to examine "First We See: The National Review of Visual Education," which was completed in August 2008. That Review recommends the development of a visual education curriculum for the compulsory years of…

A background review of the three major current approaches to the study and teaching of film set in the context of a specific course in film study. (CH)

Discusses teaching visual literacy by teaching students how to decode advertising images, thus enabling them to move away from being passive receivers of messages to active unravelers. Shows how teachers can use concepts from semiotics to deconstruct advertising messages. (SR)

Offers suggestions on how to make a film study course challenging and enjoyable, through using a variety of films, defining visual literacy, choosing films with cinematic and literary value, and deciding on a specific approach for the course. (FL)

Suggests that older feature-length films can be uplifting, relevant to the curriculum, and inexpensive. Offers tips on how to select and use them and a list of ten such films. (FL)

A description and course outline of a British film study course which stressed an auteristic approach to cinema. (CH)

Describes a film study program to help students open up to the beauty that exists around them. Notes that key ingredients of the program are a linkage between the films shown and the asking of probing questions. (RL)

Provides topics and activities by which English teachers can make their students visually literate and capable of critical television viewing. (RL)

Explores some of the issues and ideas for training high school students in the language of the mass media. (RB)

Creating and displaying artworks based on words helps students appreciate the subtle strengths of language. (JH)

The articles in this volume have been selected from issues of "Media & Methods" of the past seven years. The first part of the book considers the problems and opportunities inherent in classroom film use, in articles by David A. Sohn, Charles F. Greiner, William Kuhns, Hugh Gilmore, Richard Lacey, Richard Beach, and Ken Donelson. Essays deal with…

Describes a set of exercises that help students learn about filmmaking. (TO)