Students in upper-level courses are expected to observe disciplinary conventions in writing assignments. Common recommendations for teaching conventions require substantial time for instructor feedback and in-class instruction. As an alternative, we tested the effectiveness of a checklist in improving students' performance of these conventions.…

Struck by his students' often hostile and apathetic responses to assignments and instruction and hoping to contribute to the knowledge of motivation, Dan LaSalle began to take an inquiry stance on his own practice. He studied his practice on three fronts with the help of an off-site teacher research group: (1) how his inquiry question changes as a…

This paper describes utilizing wiki technology, small group workshops, and reflective writing assignments to "flip" a community engagement/service-learning course for college undergraduates who are tutoring culturally and linguistically diverse students in K-12 schools. Flipped classrooms are gaining popularity in the teaching of…

In this article, I describe my reflections on developing student authors through a class research project. I review the assignment origins and description and my role in the students' developmental journey from transforming a class assignment to a publishable work. (Contains 1 figure.)

This study examines the writing of 30 engineering students, faculty response, students' reading of the response, subsequent revision, and faculty evaluation to ask what factors contribute to constructive conversation about writing. It affirms previous research that suggests engineering faculty do not provide the facilitative commentary widely…

Reading several documents from the early history of Francis W. Parker School and an essay by John Dewey entitled "The Need for a Philosophy of Education" helps the author's students gain some precision in defining what otherwise remain rather loosely held opinions about the core values of the school. For most of the students, these…

Describes how a teacher uses Stanley Kunitz's poem "The Portrait" to help students write poems full of concrete, sensory images about deeply private experiences. Presents examples of student poems. (RS)

Relates a poet's experiences in graduate school, and the poetry he wrote in the 1970s. Discusses methods and techniques for poetry writing in the classroom. Suggests topics for a series of poetry exercises: moebius strip, poetry sights, shadow poems, poetry chair, chopstick quatrains, poetry shirt, poem wrapping the school, word beads, and a haiku…

Describes a successful unit of study on poetry in a fifth grade class that ended with students each writing a sonnet as a final project. (SR)

Describes a project in which students combined personal narratives, drawings, and Japanese woodblock prints. Includes three examples of students' stories and prints. (SR)

Describes the use of character journals (a written diary kept by the reader who assumes the role of the main character) with a group of eighth-grade students. Shows how students think more about what they are reading and come away with a better sense of their own identity. (SR)

Combining freshman composition and introduction to literature courses can make students active participants in what they read. In one course, students were instructed to read a literary work for a class. When the class met, the students were to write the name of the assigned story, the author, and anything they wanted to write about the story.…

Describes a successful program of "contemplation writing," in which, through a counting technique and a music technique, children learn how to contemplate their inner experience, write about it, and discuss it. (SR)

Argues that writing to a real audience in the form of a letter is an effective way for students to learn the importance of audience in writing. Stresses the idea that students who are intimidated by the writing process will view letter writing in a more positive light and be more amenable to the learning process. Describes a specific…

Describes a teacher's experience of teaching a class entitled "Testimony, Magical Realism, and the Carnivalesque" which focused on the invention of aesthetic means to counter dominant, silencing discourses of power. Explains that students were asked to select a story from their own lives and were required to tell the story in three…