Film and writing each resolve quite differently the problem of how to communicate. Still, film can demonstrate some underlying principles that are helpful to writers, especially those writers lacking understanding or skill in certain writing principles. There are at least five principles that both film and composition portray: the importance of…

This study provides English teachers who teach, or plan to teach, film courses, with an analysis of the unique structural elements of film, suggestions for the teaching of a high school elective course on film, and activities that teach visual literacy skills. The first part of this study analyzes and defines visual literacy. Chapters provide…

A paper presented at annual convention of Canadian Council of Teachers of English (3rd, Winnipeg, Manitoba, August 1970). (Editor/RD)

A self-instructional film should be learner-oriented rather than content-oriented. Its objectives should be stated in terms of observable, specific behavior. The distinguishing characteristic of such terms is that they are subject to few interpretations. Objectives should be to identify, name, order, describe, and construct. The foregoing may be…

This report contains excerpts and summaries from interviews and papers presented at the visual literacy conference. The interviews are with speakers and in general ask them to expand on an idea presented in their formal talk. For other speeches, the catalog description and/or an abstract is given. Although most of the abstracts are short, lengthy…