As a first-year writing instructor, I generally expect a few mainstays: a handful of bored students, recurring absences, and plenty of covert texting. In order to disrupt the usual lackluster engagement associated with required classes, I approach my writing seminar like a theatre class. By incorporating common performance practices such as the…

Adapts a classical concept to the composition classroom in a prewriting exercise which offers a wide range of benefits. (RS)

Presents ideas for having freshman composition students keep journals and write responses to class writing exercises, which are then published in a class newsletter. Discusses the benefits students receive from this practice. (SRT)

Describes an initial writing assignment given to college freshmen that asks them to describe their experiences as writers. Argues that responses give the instructor preliminary information concerning students' assumptions, values, and attitudes about writing. Includes excerpts from a questionnaire that helps students recall their previous writing…

Proposes that freshman writing instructors incorporate the form of writing practiced by the social sciences. Notes that this form constructs an intellectual bridge that leads from a limited "I"-oriented perspective to the academic discourse community. Gives three examples of writing strategies adapted from the social sciences. (RS)

Describes an historical narrative assignment that stimulates students' interest in questions of rhetoric and scholarship as it requires students to combine role-playing, research, and revision. Discusses how students' role as participant/persona in writing the story prompts an intricate multiplicity of decisions as it forces them to filter data…

By engaging in philosophical discussion in their writing, freshman composition students can discover that writing is a mediating tool between the self and the objective world, a means to examine the nature of reality and their thinking processes. Introducing philosophical issues opens the door for the investigation of difficult and abstract topics…

Analyzes the distinction between utterance and writing to determine why students have difficulty using specific details to explore their generalizations. Describes successful strategies and assignments to encourage student awareness of text and concrete expression. (KEH)

Notes that the ability to move from the general to the specific and back again is one of the schemas that basic writers lack. Argues that this schema can be developed through carefully composed writing assignments that employ all of the arts of language--reading, writing, speaking, and listening. (RS)

Questions whether a writing classroom which deals with enthymemes (arguments in which underlying premises or assumptions are unexpressed) reproduces patriarchal social relations, providing men with greater opportunities for success. Concludes that using enthymemes to structure writing classes can illuminate the complex relation of discourse to…

Describes an exercise designed to help student writers expand beyond writer-based prose by having them write for a particular magazine or newspaper audience. (MM)

A process-oriented freshman composition instructor who stresses invention, drafting, and revision can simultaneously integrate a form of grammatical instruction. Various methods and strategies, both from experience and research on grammar from the classical to the contemporary era, suggest such a creative integration. First, the teaching of…

Describes a research paper assignment in which students choose a controversial news event reported by six to eight newspapers and arrive at a thesis by comparing the accounts. Notes that students become truly engaged with the assignment and that engagement shows itself strongly in the intelligence and life of the papers. (RS)

Proposes incorporating a wide variety of texts from a variety of academic disciplines into the freshman writing course. Offers two sample text-based, process-oriented writing assignments. (HTH)

In a composition course, interview assignments have four key virtues: (1) they are interesting in themselves; (2) they ease students into the demands of working with other people's ideas; (3) they offer a rationale for improving rhetorical skills; and (4) they allow students to experience adult, responsible roles in a social context. In addition,…