Notes that the reading and writing of poetry in the composition classroom asks students to participate in metacognition. Examines how writing teachers may use poetry activities to foster metalinguistic awareness as well as to meet many of the demands of the composition classroom. Contends that poetry is a missing link in an incomplete chain of…

Argues that metaphor offers students and teachers a significant (but little used) means of communication. Contends that by examining and extending student metaphors for composing, teachers gain valuable information about how students struggle to create a text and how they struggle with teachers over issues of power and authority. (RS)

Presents the results of a questionnaire which asked students to distinguish the most helpful instructional factors and activities aiding their writing progress. Concludes that the student's voice is his/her most accessible tool for progress, that acceptance of the student's voice is crucial, and that the speaking-writing connection is the most…

Describes a first-year composition sequence of assignments using the topic of family to allow students to write essays based on their own experiences. Notes that the sequence eventually requires that students also address connected ideas and then reflect on the convergence of the personal and analytical. (PRA)

This article presents the process approach as an effective way of teaching braille writing to young children who are blind. The writing process used in the primary grades establishes a foundation for development of future literacy skills, and instills enthusiasm and confidence in children approaching the complex task of braille writing.…

Explains how a teacher used tape--pieces hanging from her hair, her desk, and student desks--to help students remember some of the principles of writing represented in the acronym TAPE: topic, audience, purpose, and elaboration. (TB)

Provides the example of writing as a subject in which an educator might design instruction so that students think their way through the logic of the subject rather than memorize bits and pieces of someone else's thought (never grasping its logic). Presents four instructional steps: prethinking the course, student orientation, initial practice, and…

Katherine Keil, a high school English teacher, has developed an approach that goes beyond simply teaching poetry to creating classrooms that celebrate poetry in order to overcome the fear of poetry in students and the teacher. She encourages students to play with language, publishes student's work to a web site and models the writing process…

There are not many English words for "anger." There's "wrath" and "ire," although no one uses "ire" anymore and hardly anyone "wrath." There's "frustration," "resentment," and "indignation," but they don't have the emotional intensity of "anger," a word that…

In order to examine how large-scale testing affects writing pedagogy and students' composition processes, the author conducted a study that centered on two high school senior English classes in the state of Kentucky. Since 1991, Kentucky has implemented a large-scale writing assessment and system of teacher and school accountability. Generating…

Trickster tales, with their teachings on how to behave in the world, are a powerful means for transmitting social knowledge and cultural mores to children. In this study we compared two approaches to teaching fourth-grade students to write trickster tales. Although both instructional methods incorporated aspects of the writing process approach,…

In the many years the author has worked with students in the lower grades, she has heard plenty of myths about their capabilities as writers. She has also learned a few things about how they approach the writing process. Here are some things to keep in mind when working with younger writers: (1) Younger students are capable writers; (2) Younger…

In attempting to define postmodernism, many search for a "neat central core" (Beck, 1993) thus attempting to universalize all postmodern theories and operate "within the modern obsession with control and reason" (Slattery, 2000: 137). In this article, I refrain from attempting a universal definition, but instead present an exploration of the most…

The idea that formal grammar teaching leads to improvements in school pupils' writing has been a popular one. However, the robust and extensive evidence base shows that this is not the case. Despite this, policy initiatives have continued to suggest that grammar teaching does improve pupils' writing: the "Grammar for Writing" resource is…

Although socio-cultural awareness is an important element of discourse, freshman composition's primary obligation is to provide students with instruction in and practice "owning" a process of writing that foregrounds writing as a rhetorical art. Students should leave the course more aware of and better able to employ powerful, flexible…