Describes a fiction writing workshop with Sir Angus Wilson, an inspiring teacher and author, who showed other teachers how to shift class attention from product to process to person. (MM)

Writing researchers suggest that children should write stories in order to (1) entertain, (2) foster artistic expression, (3) explore the functions and values of writing, (4) stimulate imagination, (5) clarify thinking, (6) search for identity, and (7) learn to read and write. (HTH)

Offers suggestions from six contributors regarding a variety of classroom activities, including the use of high interest-low vocabulary books with gifted and average readers, an exercise in sequencing, a Halloween project to improve students' grammar, a technique to improve students' dictionary skills, and methods for helping students write books.…

Reviews the sequential steps followed in teaching basic composition at the University of Alabama. Discusses traditional teaching techniques, word choice, and types of writing, and describes alternative teaching techniques. (DR)

Describes an approach to evaluating creative writing in which the teacher acts as an editor and grades according to contracts set up during conferences. (MKM)

Creativity should be developed in students, especially through the teaching of literature. Composition assignments that draw upon students' personal experiences and observations help to develop literary creativity, cognitive activism, and independence. (Author/AV)

This article describes one poet/teacher's program to explore and cultivate student creativity, intuition, and imagination through a series of visual, verbal, and psychological exercises. Visualization, free-writing, association, variations on other poets' work, and memory mapping are among the creativity exercises employed prior to actual writing…

Gives an overview of how one English teacher uses students' inherent understanding of film by asking them to write movie scripts. Advocates the use of screenwriting in the classroom. Details numerous reasons for such methods, and describes eight specific suggested class activities employing script writing. (HB)

Discusses how teachers can intervene to help elementary students make thoughtful decisions about their writing topics, noting that advocating student choice does not mean abdicating the role as classroom manager. The article describes choices that writers make and explains how to handle difficult situations. (SM)

This article discusses the advantages of using computer-assisted composing (CAC) to teach composition to elementary and secondary school students with learning problems. It also describes the effects of CAC on student writing and offers several caveats for teachers who plan to use CAC in their classrooms. (JDD)

Discusses the use of haiku as a stimulus for creative movement experiences, describing how physical education majors at one South Carolina university use haiku in this manner. The haiku activity promotes development in all three domains of learning (cognitive, psychomotor, and affective), and it addresses the skills included in South Carolina's…

The book is linked to the annual theme of the 2008 CAERDA International Conference with contributing authors serving as keynote speakers, invited panelists, paper presenters, as well as specialists and educators in the field. The book provides a most comprehensive description of and a theoretically well informed and a scholarly cogent account of…

This digest considers approaches to langugae arts teaching that are based on mythic or archetypal ways of experiencing and knowing. The Digest argues that such approaches address students' inner lives more directly than do the usual instructional methods such as whole language or student-centered instruction, and thus can help to promote…

This issue of "Insights into Open Education" presents three short articles dealing with teaching poetry, English instruction, and the concept of time. The first article, "Teaching Poetry Tips" (Gem Reid), discusses the author's experiences conducting a week-long poetry workshop for a class of 30 second graders. The second…

The "writing workshop" approach to teaching creative writing, virtually unchallenged throughout the United States, has recently come under fire. Two schools of thought, while agreeing that the traditional workshop needs a thorough overhaul, differ in approaches to that overhaul. One approach, using the theories of Harold Bloom, argues…