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Download full textMeyer, Richard D. – 1966
The open stage is discussed both as architecture and as part of a new theatrical style. In reference to use of the open stage, emphasis is given to specifics with which the director must deal, to special problems of the actor, to the approach to blocking a play, and to the open stage as "theatrical experience". The architectural advantage of the…
Descriptors: Acting, Architecture, Design Preferences, Dramatics
Meyer, Richard D. – 1968
Theatrical revolution symbolized by the open stage is discussed. The mere absence of the proscenium arch can insure no more than an architectural modification. Any genuine and lasting artistic liberation must come with the attitudes guiding the use of the stage. The only valid principles are those which can point gently toward contemporary…
Descriptors: Cooperative Planning, Design Requirements, Physical Environment, Stages (Facilities)
