The see-saw pair is a technique for perceptually contrasting the two realizations of the third tone, viz. the low-level half third and the low dip full third. (DD)

The difficulty in learning Mandarin Chinese is often attributed to the fact that it is a tonal language. This article reviews the tonal spelling approach of Gwoyeu Romatzyh ("G. R.") and Pinyin, the national romanization system of mainland China. (seven references) (LB)

Suggests an alternative to the traditional presentation of the tonal system in Chinese. Tones could be presented high-low (1,3) and rising-falling (2,4) instead of successively, since students have particular difficulty in this area. An acoustic and a statistical analysis is presented; the latter shows tonal distribution and frequency of…

Discusses Tone sandhi, the tone changes undergone by tone-bearing syllables in juxtaposition, in several Chinese dialects. The tone group is examined as a syntatico-semantic unit in Fuzhou and Mandarin and as a syntactic boundary-marker in Shanghai and Xiamen. The theoretical and pedagogical implications are discussed. (20 references) (JL)

The visual exposure method for teaching tonal modulation can be used in the classroom where aural exposure time cannot be increased. The use of musical notation is a workable technique to begin with, using flashcards. Each flashcard has a character and the musical note that is linked with it. (CFM)

Presents a pair of innovations, originally developed and used for teaching Mandarin, that are now being applied to the teaching of Cantonese, Vietnamese, and Thai, involving a double system of representation to encourage easier pronunciation and long-term learning; and a special sequencing for presenting the tones. (36 references) (CB)

Examines the interference of Cantonese on the levels of phonology, syntax and lexis in Mandarin Chinese. The article offers remedial suggestions, discusses the special needs of Cantonese students, and compares them to the needs of their English-speaking counterparts. (Author/KM)