Rooted in examples from their own and others' classrooms, the authors offer discipline-specific practices for implementing antiracist literature instruction in White-dominant schools. Each chapter explores a key dimension of antiracist literature teaching and learning, including designing literature-based units that emphasize racial literacy,…

How can teachers help their students to meet high standards of reading and writing while also preparing them to become thoughtful and productive members of a multicultural society? And why is it important to do this? In her new book, Mary Dilg brings us into her high school English classroom, where we see students reach across the social,…

This textbook is a sixth reader. Selections are taken from English and American literature, and when possible, conform to the original works. Many selections have elocutionary value. In making up the Selections for Reading, great care and deliberation have been exercised. Upwards of one hundred leading authors are represented, and thus a wide…

Describes a take-home midsemester exam in American Literature in which students express their knowledge of authors by transporting them to the present-day setting of their community college. (MG)

Explains how Louis D. Rubin's theory of the "Great American Joke" (the gap between our cultural ideal and the everyday facts of American life and society) can be used to help students understand humor in an American literature unit. (SR)

Suggests using Henry David Thoreau's "Walden" as a rhetorical exemplum in literature instruction. Calls upon instructors to identify Thoreau's writing purposes and intended audience. Suggests that students can explore the book's varied writing styles and narrative personae. Encourages analysis of the book's ethical, rational,…

Compares and contrasts two adolescent novels, S. E. Hinton's "The Outsiders," and B. Ellis' recent "Less than Zero." Argues for the social relevance and educational worth of both novels, showing that they raise moral and social issues teens need to think about and are already confronting. (JG)

Provides a list of 118 reasons why the author's students claim they study American literature, including: (1) to broaden their vocabulary, (2) to learn from other people's experiences, and (3) to develop an open mind about different kinds of literature. (JD)

Explains an approach to teaching American literature that begins by using regional materials to interest students in reading and then expands to include classical works. (EL)

Describes a high school course in American fiction in which students read an excerpt from a work of literature, watch the film adaptation of the work, and study both from a particular literary standpoint. Notes that such an approach appeals to reluctant readers. (RS)

Suggests that instructors of introductory literature courses can teach students how to analyze content and meaning through a pervading theme. Proposes using three of Flannery O'Connor's works, focusing on the "moment of grace" theme in each story and discussing its central importance in the works. (MS)

Suggests teachers pair works by American writers with works from other cultures that share a common thematic link or central issue. Puts this into practice by pairing texts that illustrate some of the potential for a blended curriculum of both American and non-Western writers. (SG)

The novels of Robert Lipsyte are excellent for use in a middle school or secondary school classroom. His 1967 classic, "The Contender," and its sequel, "The Brave," are both strong on characterization, plot, and theme. Focusing on "The Contender," students can explore contending characters, forces, and themes. Related…

American literature has served not only to help establish, define, and reinforce the American Myth, but has been used to question, to challenge, and to redefine it as well. The dialogic relationship between the literature and the myth thus can become the starting point for a course that encourages closer examination of the process of…

Offers a panel discussion assignment which requires students to draw from the patterns of ideas presented throughout the semester and apply them to a longer text and engage more actively with literary texts--it also provides a detailed introduction to a wide range of novels impossible to present in one course. Details the assignment. (PA)