Investigates the formative life experiences of nine women and how they perceived their roles as students, artists, art teachers, and family members in relation to the dominant discourses of their lives. Summarizes the typologies of the artists, the strategies for sustaining careers in the visual arts, and the implications for art education. (CMK)

This journal theme issue focuses on Visual Arts and Gender Equity with particular emphasis on art education. Articles include: (1) "Gender Equity and Visual Arts Education" (Lee Emery); (2) "Deconstruction: A Methodology for Exploring Dominant Ideologies and Gendered Relations in the Visual Arts" (Annie Reid); (3)…

Asks how art should be taught in the postmodern world. Argues that art education must change in two ways: (1) discussions of fine art must focus on the meaning of postmodern art and concepts; and (2) incorporating postmodern concepts to address the broad range of visual culture encountered by students. (DSK)

Investigates whether employing the philosophical inquiry approach specifically in the aesthetics and art criticism component of the visual arts curriculum was beneficial to teacher effectiveness and student understandings. Describes the methodology and data analysis and an intervention program that aimed to assist teachers to engage in…

Presents a comparative review of art criticism strategies offered within the art education literature. Maintains that most strategies are characterized by three different structures: (1) sequential steps; (2) nonsequential groups of questions; and (3) lists of questions. Provides suggestions for further research. (CFR)

Examines an unusual approach to aesthetic education utilizing open-ended philosophical inquiries (conundrums) to facilitate class discussions. The conundrums were submitted by artists, gallery owners, and teachers. Results showed the approach to be an effective adjunct to instruction, provided the teachers could refrain from "filling in"…

Outlines the implementation of a collaborative project between a college visual arts program and an academic staff development unit. Asserts that the project was conducted according to a model of clinical supervision specifically modified to suit a studio environment. Includes sample student opinions about the project. (CFR)

Discusses three types of distance in art education that should be bridged: (1) between studio art and art criticism/history; (2) between thinking in images and thinking in words; and (3) between art and culture in cognition. Recommends a curriculum to integrate studio work with criticism and teach art along with culture. (CFR)

Asserts that art history and art criticism have not met the needs and aspirations of female students. Maintains that teaching embroidery can help teach about a history of female oppression. Describes how this approach is used in the classroom. (CFR)

Asserts that traditional approaches to art education ignore such issues as the effect of the social and political environment on the production of art, and the influence of the marketplace. Contrasts the views of working artists and art educators on a set of broad issues including media and technology. (MJP)

Defines a narratological approach to art education research as one that integrates autobiographical writings, interviews, and other voices into the construction of Neonarratives (literally "new stories"). Includes guidelines for conducting this research and a thematic approach to analyzing narrative data. Provides graphs and diagrams of…

Advocates reconceptualizing visual arts as a core subject embodying key elements of experiential learning and critical thinking through an interdisciplinary approach. Illustrates this approach with a discussion of the interconnected issues surrounding family snapshots (social history, aesthetics, technological advancement). Discusses issues of…