The author argues that Michael Polanyi's philosophy of science can be understood as an (unconscious) attempt to recapture elements of experience largely forgotten or repressed in modernity. Specifically, the author argues that Polanyi's epistemology appears to draw on elements of oral-aural experience that have been relatively ignored by the…

In turning toward that which has fallen out of use, one approaches the threshold between presence and passing; between knowing and forgetting. It is the "place", perhaps the unexpected "pause", where language and loss meet. This essay speculates on the particular apparatus of print, the making and unmaking of its medium in a time of technological…

Drawing on the everyday experience of collaborative design, and using ordinary language, I examine the nature of design practices and rules, how they come about, and how we use them. I offer some arguments to suggest that our conventional ways of thinking about rules are wrong. I conclude by arguing that the practice of designing and doing…

Far from being peripheral to human functioning, aesthetic activity is fundamental to the process of coping. It is distinguished from other cultural activity, like religion and science, because its raw materials are formal properties--line, form, color, texture--derived from the external world. (Author/CS)

The first thing a visitor notices when entering Hollytree primary school is the art-work displayed on every wall. This paper, based on a three-year ethnographic study of the school, mobilizes field notes and interview and photographic data to probe the meanings of this visual "display". We argue that the walls (re)produce and promote…

This paper is a report on a decade of teaching visual literacy at the American University (Washington, D.C.). Visual literacy is defined as an awareness that comes with appropriate development of basic visual and aural competencies. The 15 reasons for studying visual literacy are perception, drawing, expression, brain awareness, design elements,…

Academics have a long history of claiming and defending the superiority of verbal over visual for representing knowledge. By dismissing imagery as mere decoration, they have upheld the sanctity of print for academic discourse. However, in the last decade, digital technologies have broken down the barriers between words and pictures, and many of…

Discusses aspects of microcomputer operation that are associated with the human operator and the interface between human and machine or workplace. Work productivity, furniture design (desks, seating), keyboards (shape, layout, and "feel" of keys), and video display terminal screens and lighting are noted. (EJS)

Discussion of the use of computers for presentations in the classroom focuses on their use in a calculus course to explain graphs of functions. Topics discussed include the importance of managing the group process in the classroom; environmental considerations; and projectors and screens. (LRW)

Maintains that visually enhanced musical performances provide an exciting and creative aspect of musical production. Explains that the conductor should choose a musical selection that offers concrete visual opportunities, focus on visual images, choose video excerpts, and use dance if possible. Finds that many visual techniques used by marching…

As there is uncertainty surrounding black light safety, caution should be exercised in using it as a vision training tool with visually handicapped students--particularly aphakic and albino students, young students, and those taking photosensitizing drugs. The use of ultraviolet-blocking filters or lenses is recommended during black light…

Describes factors to be considered in the design of ergonomically correct workstations for online searchers. Topics discussed include visual factors, including lighting; acoustical factors; radiation and visual display terminals (VDTs); screen image characteristics; static electricity; hardware and equipment; workstation configuration; chairs;…