Temporal seeing is a mode of visual perception that interrupts the spatial bias we bring to visual literacy practices. Although an image only captures one moment in time, there are multiple spatioanalytical tools we can use to consider any image. Spatial literacy, which is the practice of analyzing objects through their properties in space, tends…

As the world becomes more digitized, visual content becomes commonplace in educational spaces. However, visual choices are not always accompanied with critical thought or awareness of the harmful messages or stereotypes connected to the images. The purpose of this study was to examine visual microaggressions embedded in the visual content of…

While some journalists analyze and verify "open source" materials such as social media, eyewitness video, and satellite imagery to hold leaders and institutions accountable, many journalists and students are not learning basic digital verification skills. Research shows that journalists find this work challenging and that newsrooms do…

With the commodification of English education in East Asian societies, a robust advertising industry has arisen to attract consumers. In the project described here, I engaged in a critical content analysis of over 1000 advertisements for English educational products and services collected in Japan and Taiwan. My focus was on how social groups are…

Due to the large number of students, instructors teaching high enrollment courses often rely on traditional assignments such as scantron exams and research papers. While these types of assignments are functional and satisfy a purpose, they are typically not meaningful or pleasurable for students. In an introductory information technology course,…

Understanding how to critique visual images can be beneficial for faculty teaching in art, design, or visual communication fields, but also for any faculty who use images to teach course content.

Fifth graders responded to a video of a picturebook,"The Red Tree" by Shaun Tan. They had not experienced explicit instruction in visual literacy and their responses served as a foundation for basic understanding of their analysis. We learned that they focused on four major areas: emotional aspects; visual qualities, summaries of the…

Although students and adults alike are constantly exposed to visuals both online and offline, merely being exposed to visuals does not guarantee visual literacy (Kedra & Zakeviciute, 2019). This study explored K12 teachers' perceptions regarding their personal and instructional use of online images as well as the influence of a visual literacy…

When teachers engage student confidence in discerning visual metaphor and when they make students aware of their skills, they can teach them how to transfer the reading of the visual to the reading of text. This article details some activities for facilitating that transfer. Engaging and challenging visual activities can lead to an enhanced…

A conceptualization of visual proficiency is offered. A survey is described which asked college students (N = 358) to identify five photographs, five symbols, and five paintings that are generally recognized to be "famous". About 27% of all respondents claimed to recognize all the photographs, 23% recognized all the symbols, and 3%…

The author critiques covers of "Ebony" and "GQ" magazines in order to expose race and class narratives, and he encourages teachers to help students to become more aware of the ways in which other images "connote cultural information." Because of the prevalence of images in contemporary society, it is imperative that…

The visual aspect of classroom culture is becoming more important because students now have much greater access to the means of producing, viewing and manipulating images. Using a framework adapted from Foucault and taking a myth-making position, this paper puts forward six propositions as means of explaining how images in the classroom might be…

Contends that everyone must learn to read images because our culture is increasingly represented and perceived in visual terms. (Author/RK)

A playful series of activities using the "Yellow Pages" as a resource. (Editor)

Suggestions for organizing the material in teaching the visual qualities of films and television. (CH)