John Keats provides a convincing and helpful model of James Britton's philosophy and research on composition. While, contrary to Britton's paradigm, much of Keats's work is simultaneously in the expressive, transactional and poetic modes, early poems are primarily expressive: they record his perception of reality as filtered through his senses and…

This paper cites descriptions, by professional writers, of two stages in the composing process that appear to correspond with the two modes of mental activity separately controlled by the hemispheres of the brain. The stage of writing a first draft involves unconscious, personal, irrational, intuitive writing which may be called "writing for…

The article identifies five modes of thinking--defensive, productive, adaptive, elaborative, and developmental. Case studies of artistic, creative writing illustrate the modes. A writing program designed to identify and develop these thinking modes is described. (Author/DB)

This paper presents a tentative model of the writing process that has been developed according to the technique of protocol analysis. (A protocol is a description of the activities, ordered in time, in which a subject engages while performing a task.) The model identifies subprocesses of the composing process and their organization; minor…

The inhibiting effect of being conscious of the physical process of writing on the intuitive process of writing is discussed. (HTH)

A study examined the relationship between structured imagination and creativity in story writing among 108 undergraduates. Subjects produced paragraphs that were meaningful/original, meaningful/non-original, or non-meaningful/non-original. Results showed that groups 1 and 2 wrote psychologically meaningful stories significantly more than group 3…

A theory of teaching creative writing that involves preconscious learning is presented in this paper. Following a review of the literature on methods of developing writing ability, the paper describes a three-step creative process of preparation (the gathering and study of appropriate materials), incubation (the preconscious absorption and shaping…

The author suggests that the preconscious is the true locus of significant prose because of its greater amount of freedom to gather, compare, and rearrange ideas, and that the ultimate challenge to teachers of composition is to give freedom to their students' preconscious processes. (KC)

In teaching students how to write, the utilitarian aspect does not need to be ignored, but--more important--the imaginative, expressive aspect should be emphasized. Since all writing depends on the full resources of the imagination, students need to be taught how to recreate or vivify people, objects, scenes, and feelings. A process which helps…

Seven of the articles in this journal contain first-person descriptions of the procedures and methods used by outstanding American playwrights in creating their individual plays. The playwrights explain their own writing habits, working conditions, and revision processes in an effort to clarify the elements that contribute to the unusual…

Based on a study dealing with problem-finding behavior of artists as the first step in the creative process (Getzels and Czikszentmihalyi), this study on the empirical nature of problem-finding included middle school students from a suburban-rural area in Western Pennsylvania. Eight students identified through three measures as creative were…

This curriculum guide is designed to aid in the planning and execution of a writing course for verbally gifted elementary school students. The course is designed for students ranging in age from 8-11 years whose verbal reasoning skills are at least 3 years above grade level. The course instructs students in the fundamentals of communication…

While the chapters of this book present a variety of perspectives, they share the common goal of redirecting and revitalizing research on written composition. The authors review research on written discourse and the composing process and raise questions regarding information and skills that teachers and researchers need to consider. The chapters…

Investigates whether exposure to discourse elements affects idea production in novice writers. Results indicate that students given discourse prompts generated significantly more ideas than those given purely motivational prompts and that they spent more time generating ideas, suggesting that instruction in discourse elements may prove beneficial.…

In this study, an analysis of the various theories of creativity was made to formulate guiding principles for teaching "creative rhetoric" in the secondary schools. The following basic assumptions were made: (1) Rhetoric is concerned with man's problems. (2) Rhetoric is a synthesis of the imaginative and rational processes. (3) Acts of rhetoric…