Describes two writing assignments for basic writers (synthesizing influences from Mike Rose and David Bartholomae) in which students perform complex thinking and writing tasks while writing about their own experiences and those of fictional characters similar to themselves. (SR)

Argues that basic writing teachers should think of their students as seekers who are coming from different places and going different directions, each carrying different burdens and needing different tools. Presents a series of writing assignments using the process approach to writing. (RS)

Argues that basic writing students need incremental assignment sequences to experience success in writing and to develop their abilities to write about abstract concepts. Describes a four-part sequence of writing assignments moving from observing to narrowing to generalizing to theorizing. (RS)

The traditional basic writing model (giving students manageable writing tasks like narratives and descriptions of familiar places) has been criticized by both Mike Rose and David Bartholomae, among others, for not moving the basic writer far enough toward the goal of academic writing competence. Rose's schemata are reassuring and helpful to basic…

Describes an assignment that introduces students to argument through a collaborative process of data collection and problem solving. States that the goal of the assignment is to build students' confidence in their ability to apply the kinds of thinking and writing strategies they will need to succeed in college. (PRA)

Discusses providing developmental learners with the opportunity to hear and respond to vignettes (short, descriptive literary sketches such as those in "The House on Mango Street"). Notes that the activity allowed students to experiment with another writing style and to use figurative language in a creative way. (RS)

Offers descriptions of three class activities involving collaboration between basic composition and freshman composition classes, involving magazine production and peer response. (SR)

Discusses the use of computers in teaching basic writing to college students. Offers computer exercises and activities which foster a whole-language curriculum. (PRA)

Generally, students in vocational and technical colleges are in writing classes because they must be, not because they want to be. As a rule, students in basic composition classes have been more or less continually exposed to writing classes since middle school where they been asked to keep journals, read articles and short stories, and write…

Presents a sequenced writing assignment on shopping to aid basic writers. Describes a writing assignment focused around online and mail-order shopping. Notes steps in preparing for the assignment, the sequence, and discusses responses to the assignments. (SC)

Describes how one teacher uses life writing (reading and writing about transformative life experiences) in her basic writing class to engage students and to help them understand the power and purpose of reaching out to a variety of audiences. Discusses grading life writing. (SR)

Viewing writing as a way to heal wounds and even reconstruct past experiences also helps heal the composition discipline's dichotomy between the academic and the personal, the self and the institution. Academicians are not the only writers undermined by this perceived separation: most incoming university students, in particular basic writers,…

Suggests a prewriting activity that encompasses peer questioning to help basic writing students come up with topics for papers. Contends teachers should explain their expectations to the students and gives a homework assignment to either write a letter to their "future" children or devise a "life tree." Describes questioning in…

Describes an experimental six-week summer intensive course in basic writing in which the instructor assumes the identity of "Ms. Mystery" and exchanges weekly letters with each of the students. Provides excerpts as well as analysis of these letters and argues the efficacy of letter writing as a pedagogic tool. (KEH)

Describes a method of teaching basic writing to native and nonnative students that emphasizes a regression to the most basic elements of writing. Considers what writing content, rhetorical techniques, grammar exercises, and proofreading methods are most effective for the two groups. (TB)